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---
  Subject "Re: Application"
  Date"Sat May 31 19:23:43 2003"
  Attachment  "movie.pif"
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Accidents

2003-06-01 Thread Michael Smith
Dear Sir or Madam:

I have completed the tutorial and started coding my first piece of music.  
There is a problem that I cannot find a resolution.  I am currently using 
lilypond to update some of our choir music that was written many years ago.  
One song is "Eternal Father" and I thought this would be a good start for 
using lilypond.

I actually need to add a total of four voices but I thought it would be best 
to get this notation working correctly before moving on with the voices.

Here's my problem:  When I view the music in adobe, all the b, e, a and d 
are shown as naturals.  Obviously these should not be shown as flats.  I am 
attaching the eternal.ly and eternal.pdf files for your review.  I'm sure 
there is a simple solution for this.  Also, I have the same problem when I 
use the \key es \major but not when I use \key c \minor.  This one really 
puzzled me since they both have b flat, e flat and a flat.

How do I get the natural signs to not display?

By the way, I have used other software such as Voyetra's Maestra and 
lilypond has it beat by a long shot.

Also, I have a another question for you:  when working with two voices where 
the voice1 has a quarter note that is a middle c and the voice2 has a half 
note that is also a middle c, how to space the notes so they do not overlap 
and look like both voices have a quarter note?  Maestra cannot do this.  We 
have several measures where the first and second tenor have the same for a 
different duration.

Thanks in advance for your help.

Michael

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Re: Accidentals

2003-06-01 Thread Daniel Ashton
Michael Smith wrote:

> Here's my problem:  When I view the music in adobe, all the b, e, a and
> d are shown as naturals.  Obviously these should not be shown as flats. 
> I am attaching the eternal.ly and eternal.pdf files for your review. 
> I'm sure there is a simple solution for this.  Also, I have the same
> problem when I use the \key es \major but not when I use \key c \minor. 
> This one really puzzled me since they both have b flat, e flat and a flat.

Hello Michael,

The message you sent had no attachments, but I can guess at the problem
you're seeing.  In Lilypond, note names define the actual tone, not just
the position on the scale.  e always means E-natural, no matter what key
you are in.  If you want E-flat, you must specify es.

I myself was recently wishing for a mode in which the note names specify
only the position on the staff, and accidentals are implied by the key
signature.

Regards,

Daniel

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Re: Accidents

2003-06-01 Thread Paul Scott
Michael Smith wrote:

Dear Sir or Madam:

I have completed the tutorial and started coding my first piece of 
music.  There is a problem that I cannot find a resolution.  I am 
currently using lilypond to update some of our choir music that was 
written many years ago.  One song is "Eternal Father" and I thought 
this would be a good start for using lilypond.

I actually need to add a total of four voices but I thought it would 
be best to get this notation working correctly before moving on with 
the voices.

Here's my problem:  When I view the music in adobe, all the b, e, a 
and d are shown as naturals.  Obviously these should not be shown as 
flats.  I am attaching the eternal.ly and eternal.pdf files for your 
review.  I'm sure there is a simple solution for this.  Also, I have 
the same problem when I use the \key es \major but not when I use \key 
c \minor.  This one really puzzled me since they both have b flat, e 
flat and a flat. 
1.  You must show us some of your Lilypond (.ly) so we can help.

2. You probably moce the same mistake that I and others first made.  You 
must use B flat (bes) when you mean B flat.  Lily is not like programs 
like Finale that use the key signature to alter the note.  b -is b 
natural and bes is b flat no mater what the key signature.

Paul Scott



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