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Numbering of repeated bars
Hi, all--
I'd be grateful if you could have a look at the attached and help me
solve a very minor problem. There are fifteen or so bars at the end
which repeat, and I put numbers over them to help keep the player from
getting lost if he starts to think about his taxes or the last episode
of "ER". Once the numerals become two-digit starting at 10, Lilypond
refuses to compile unless I enclosed them in quotes. That's fine, but
they appear in a larger, less attractive font than the single digits.
Any workaround? I know there's a technique for repeated bars in which
the numbers appear over the barlines, but I really want them over the
notes.
I'm using Lilypond 1.4.13 and Linux kernel 2.4.17.
Thanks,
Carter
--
+-+
|Carter Brey ([EMAIL PROTECTED])|
+-+
Homepage:
http://www.nyplive.org/music/orchestra/index.cfm?page=profile&personNum=7
Yinkel, n.:
A person who combs his hair over his bald spot, hoping no one
will notice.
-- Rich Hall, "Sniglets"
\header{
instrument = Violoncello
subsubtitle = "(Tune C string down to B-flat)"
tagline = "Robert Schumann: Piano Quartet Opus 47, scordatura version"
copyright = "Robert Schumann: Piano Quartet Opus 47, scordatura
version"
}
\score{
\notes{
\time 3/4
\clef bass
\key bes \major
\property Staff.midiInstrument = "cello"
r4^""^""^""^""^#'((bold large) "Andante cantabile") e2\f\>
\!f4\p r4 r4
r4 f\mf( ees
d c'4. )bes8
bes4( c' )d'
d'( )ees ees
ees ees( d
c bes4. )a8
a4( bes )c'
c'( )d d
d d( c
bes, a4. )g8
g4( a )bes
bes( )c c
c4. c8( d )bes,
a,4( g4. )ges8
f\>( e ees c g, \!a,
c )bes, r4 r4
r4 bes_#'((italic) "poco a poco cresc.")( a
g f'4. )ees'8
ees'4( f' g'
)a' r r
r a( g
fis ees'4. )d'8
d'4( e' fis'
)g' r r
r g( f
ees d'4. )c'8
c'4( d' )ees'
ees( )f f
f( f' ees'
)d' r r
bes,2 r4
ees2 r4
c2 r4
ees2 r4
c2 r4
d2 r4
d2 r4
g,2-o r4
g2 r4
ees2 r4
c2 r4
g,2_""_IV r4
f2 r4
bes2 r4
r c_""_IV( bes,
\bar "||"
\key ges \major
\time 4/4
)aes,\p\< \!bes,8\>( )c
\!c4( des2 c4
bes, aes, f, g,\< ~
\!g,8\> )aes,4 \!aes,8( ges4_""_III f ~
f )ees2 ges4( ~
ges )f2 aes4( ~
aes )ges2 aes4 ~
aes aes,( des )ees,_IV
r4 aes,_""_IV^pizzicato r bes,8 c
r4 des r c
r8 g, r aes, r f, r g,
r aes, r aes, r ges_""_III r f
r4 ees r ges
r f r aes
r ges r8 ges r aes
r aes r aes des4 r
\repeat volta 2 {r2 r4^arco ees( ~
ees8 )aes, aes,4 r 2
r2 r4 ges4\<( ~
ges8 )c \!c2(\f\> des8 )ees
\!ees4( des2 )c4}
\alternative { {r des2 des4
r aes,2_""_IV r4}
{r4 des2 des4
r aes,2_""_IV aes,4 ~ \bar "||"} }
\time 3/4
aes, g,2_""_#'((italic) "diminuendo") ~
g, r4
\bar "||"
\key bes \major
bes,8_pizz_""_III^#'((bold large) "Tempo I") r8 r4 r4
\property Score.skipBars = ##t R2.*15
c4^pizz r r
c r r
f r r
Re: Numbering of repeated bars
Carter Brey wrote: > refuses to compile unless I enclosed them in quotes. That's fine, but > they appear in a larger, less attractive font than the single digits. > Any workaround? bes,^#'(finger "10") -Rune ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
piano dynamics and midi
I am new to this mailing list. Please let me know (and forgive me) if this
one has already been thrashed out.
I am setting a piano piece of 4 voices, 300 measures and includes 70
dynamics through the piece. On my first attempt I included the dynamics on
the upper voice. The typesetting was fine but in the midi output the lower
voices played at full volume and drowned the upper voice in the '\p' parts.
A dynamic sign written in piano music applies to the whole piano staff, but
it seemed that the midi output was applying it only to the voice in which it
was set. I was able to include dynamics in other voices but avoid printing
them by using
killdynamics = {
%don't print dynamics for this voice
\property Voice.DynamicText \override #'molecule-callback = #'()
\property Voice.Hairpin \override #'molecule-callback = #'()
}
However I found it difficult to include manually all the dynamics needed
with
correct correspondence. Also I am concerned that as the composer gets to
hear it he will be changing the dynamic pattern and I will be doing 4
matching edits for each change.
Any suggestions?
I have been using Lilypond for over 2 years off and on and have found it
very
effective - quick to use for simple tasks and powerful for more
sophisticated
music. I have recently upgraded to 1.4.5 and have found the 1.4
improvements
very helpful. Thank you, and keep up the good work!
Peter Dixon
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Re: piano dynamics and midi
Peter Dixon wrote:
> Any suggestions?
Yes. Wait for 1.6 (or download one of the resent 1.5 versions) and check
out input/template/piano-dynamics.ly
Alternatively you can create two score blocks and do something like
(untested but modulo typos it works)
upper = \notes ...
lower = \notes ...
dynamics = \notes ...
\score{
\context PianoStaff <
\context Staff=up < \upper \dynamics >
\context Staff=down < \lower >
>
\paper{}
}
\score{
\context Staff <
\upper
\lower
\dynamics
>
\midi{}
}
-Rune
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Re: Numbering of repeated bars
Rune Zedeler wrote: > Carter Brey wrote: > >> refuses to compile unless I enclosed them in quotes. That's fine, but >> they appear in a larger, less attractive font than the single digits. >> Any workaround? > > > > bes,^#'(finger "10") > > - Thanks; that did the trick nicely. Carter +-+ |Carter Brey ([EMAIL PROTECTED])| +-+ Homepage: http://www.nyplive.org/music/orchestra/index.cfm?page=profile&personNum=7 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Slur between grace note and regular + grace fingering
I am using the stable lilypond version in a Windows 2K environment. I have read it is not possible to add a slur or tie between a grace note and a regular note. Is this true? is there anyway around? Another problem I have found is adding finger details to grace notes, I have found it gets all really pretty messy, it confuses the fingering in the next true note. Any solutions? Thanks Carlos Madrid
Point and click
I have found about "Point and Click" in the wikiwike site. Does it run unders windows2K? Is it really a time saver? Thanks Carlos
