This is all very interesting, I'd love to have a jazz style font in LilyPond,
though I don't particularly like the Sigler Jazz font. I much prefer their
Swing font.
I was still wondering if there won't be any license issues if the font is
redrawn manually since in the end everyone familiar with the
Hi Torsten,
first of all: This looks just amazing! Thanks for sharing it!
Even though I like LilyPond's original typesetting a lot, I noticed that
sheets get more difficult to read in certain lighting conditions (I
assume you are a jazz musician as well and know what I mean ...).
Especially for th
Hi,
I'm working on a piece now where most of it is modal, but one section will
be free-chromatic. I would like to use one of the more modern accidental
styles, but only in that section.
I read the section of the manual about automatic accidentals, and it
appears at first glance that the accidenta
Am 2013-03-15 um 10:06 schrieb TaoCG:
> This is all very interesting, I'd love to have a jazz style font in LilyPond,
> though I don't particularly like the Sigler Jazz font. I much prefer their
> Swing font.
> I was still wondering if there won't be any license issues if the font is
> redrawn ma
Hi!
I've got a score with a piano part and a flute part, amongst other staves.
In m49, the flute part has a B-natural near the beginning (requiring an
accidental), and a B-flat in a different octave near the end. (See attached
screenshot, which contains the measure in question.) Thanks to the '
2013/3/15 Thomas Morley :
> 2013/3/15 Davide Liessi :
>> 1. is it possible to print the system start delimiter in the middle of a
>> system?
>
> Perhaps my workaround here is of some interest:
> http://lists.gnu.org/archive/html/lilypond-user/2012-05/msg00379.html
This is very interesting!
It is
On Mar 15, 2013, at 4:52 AM, Robert Schmaus wrote:
> Hi Torsten,
>
> first of all: This looks just amazing! Thanks for sharing it!
> Even though I like LilyPond's original typesetting a lot, I noticed that
> sheets get more difficult to read in certain lighting conditions (I
> assume you are a j
Am 15.03.2013 16:38, schrieb Tim McNamara:
On Mar 15, 2013, at 4:52 AM, Robert Schmaus wrote:
Hi Torsten,
first of all: This looks just amazing! Thanks for sharing it!
Even though I like LilyPond's original typesetting a lot, I noticed that
sheets get more difficult to read in certain lightin
Hi all,
On 2013-Mar-15, at 11:42, Urs Liska wrote:
> AFAIK the only way (except creating a pango-font-ree) is to redefine
> booktitlemarkup and/or scoretitlemarkup from scratch to be able to access the
> font settings for these items (as \markups)
Um… doesn't everyone do this for all their sco
Am 15.03.2013 16:49, schrieb Kieren MacMillan:
Hi all,
On 2013-Mar-15, at 11:42, Urs Liska wrote:
AFAIK the only way (except creating a pango-font-ree) is to redefine
booktitlemarkup and/or scoretitlemarkup from scratch to be able to access the
font settings for these items (as \markups)
Um
Hello!
I have a problem. I have page with five systems. There is same spacing
between systems. One of medium systems has lyric line below bottom staff. I
wish make extra space between this lyric line below staff and next system
with with the preservation of the interval between other systems. How c
I don't understand how to define custom footers. Is there a hook in
odd/evenpagefooter where I can plug a Scheme function, or are they
limited to the very poor language of \fromproperty and \on-the-fly?
What I want to do in my case: I have a big PDF file containing all
parts for a big piece. I wan
On Mar 15, 2013, at 10:38 AM, Tim McNamara wrote:
> On Mar 15, 2013, at 4:52 AM, Robert Schmaus wrote:
>
>> Hi Torsten,
>>
>> first of all: This looks just amazing! Thanks for sharing it!
>> Even though I like LilyPond's original typesetting a lot, I noticed that
>> sheets get more difficult to
Hi,
I'm trying to set a new MultiMeasureRest-stencil.
Therefore I read out the left- and right-bound: NonMusicalPaperColumn,
their X-coordinate and the interval-length of their grob-extent.
These values are used to do some calculations to center the new
MMR-stencil in the measure.
Intented is to
Rustik wrote
> Hello!
> I have a problem. I have page with five systems. There is same spacing
> between systems. One of medium systems has lyric line below bottom staff.
> I wish make extra space between this lyric line below staff and next
> system with with the preservation of the interval betwe
No I mean like when you have a fist full of cord and you want the cord to play
on the beat but it's so big you have to role from the top to the bottom.
Here is a badly played example. sorry about the ringing c sharp. it's broken.
http://alawamiproductions.com/dl/DM421359.MP3
It's not arpasia
Some (but not all) entries from the \header block are pushed as PDF properties,
and either appear in the "Description", or in the "Custom" fields tab of the
PDF document "Properties" dialog box:
* title
* composer (shown in the "Author" field, as well as in a custom
"Composer" fi
On Fri, 15 Mar 2013, Henning Hraban Ramm wrote:
Am 2013-03-15 um 10:06 schrieb TaoCG:
This is all very interesting, I'd love to have a jazz style font in LilyPond,
though I don't particularly like the Sigler Jazz font. I much prefer their
Swing font.
I was still wondering if there won't be a
Sarah:
What is the Chopin piece? I may have a copy and could "see" what you want.
Mark
-Original Message-
From: Sarah k Alawami [mailto:marri...@gmail.com]
Sent: Friday, March 15, 2013 4:58 PM
To: Mark Stephen Mrotek
Subject: Re: roling cords
lol. My hands are not that big. I wish I c
What is the appropriate grob name for a fermata?
I want to:
\once \override Fermata #'Y-offset = #2
but Lily tells me that's not correct:
fermata-test.ly:18:12: warning: not a grob name, `Fermata'
Looking at
http://lilypond.org/doc/v2.16/Documentation/internals/all-layout-objects
and
2013/3/16 Jim Long :
> What is the appropriate grob name for a fermata?
Script.
Though, that's the family.
>
> I want to:
>
> \once \override Fermata #'Y-offset = #2
>
> but Lily tells me that's not correct:
>
> fermata-test.ly:18:12: warning: not a grob name, `Fermata'
>
> Looking at
>
> h
I am attempting to make a fingering chart for a friend of mine for bassoon,
but sadly, there is no first-finger half hole or anything other than one or
oneT. This is one of the more crucial holes that has a half hole on the
bassoon. Is there a way to make it have a half hole, or does this feature
n
Hi,
in the following markup I want draw-line to have the same Y-length as the brace.
\version "2.16.2"
factor = #0.175 % a rough estimation, and for default-staff-size only
size = #40
\markup {
\left-brace #size
\translate #`(0 . ,(/ (* size factor) -2))
\draw-line #`(0
Hello all,
My BarNumbers are being pushed down by my pedal brackets, as shown in the
following minimal example:
\version "2.17"
\language "english"
\layout {
\context {
\name PianoPedals
\type "Engraver_group"
\consists "Piano_pedal_engraver"
\consists "Axis_group_engraver"
2013/3/15 Jérôme Plût :
Hi Jérôme,
it's not clear to me what you want to achieve.
> I don't understand how to define custom footers. Is there a hook in
> odd/evenpagefooter where I can plug a Scheme function, or are they
> limited to the very poor language of \fromproperty and \on-the-fly?
>
> Wh
James Harkins gmail.com> writes:
> I would like to use one of the more modern accidental styles,
> but only in that section.
> It wasn't clear if the style could change in the middle of a piece.
I would think it should work.
So far, it works for me to put \accidentalStyle in the middle of musi
Kieren MacMillan sympatico.ca> writes:
> Has anyone solved this problem, i.e., including cautionary accidental(s)
> in one staff if one was required in the same measure of another staff in the
> same score?
>
Exactly this rule probably won't work for you, but I set a rule to set
cautionary
acc
If it is a Chopin piece simply rolling a large chord would not be
inappropriate. Rolling chords was probably a much more common practice
in that era anyway. In any event, early recordings and anecdotal
evidence suggest such a thing. So the point is if you feel you need to
roll a chord to make the p
Attached is the beginning of an arrangement for
voice and guitar. The guitar part is two part counterpoint
in which I would like to control where the steps go up or
down.
(1) In the guitar part, even though I have \voiceOne marked with \stemUp
and \voiceTwo marked with \stemDown, why do the stem
Ivan:
When I write polyphony for the piano I use << { %here pitches for top voice
} \\ { %here pitches for bottom voice} >>. Lilypond seems to take care of
the stem directions.
I reset you example using this format. Some notes of the voices might need
to be adjusted.
\version "2.16.0"
\include
Ok. so based on the example I played I have no choice. so do I just put the
whole shebang on beat one and hope the pianist, in this case either me or the
prof or a class mate would have the sense to do what I did, better then me of
corse. lol.
I know how to build the cord in lily pond but I'm w
On 16/03/13 15:15, Mark Stephen Mrotek wrote:
Ivan:
When I write polyphony for the piano I use << { %here pitches for top voice
} \\ { %here pitches for bottom voice} >>. Lilypond seems to take care of
the stem directions.
I reset you example using this format. Some notes of the voices might n
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