Interestingly, I found myself wondering the same thing and for similar 
reasons.  Upon further consideration I kind of found myself swinging back 
to the manual side of the equation and ended up recently selling some 
camera equipment I already had, possibly something I'll come to regret 
eventually, but I decided to approach it with a minimalist view and start 
from the beginning with just the basics.  

There was certainly a sentimental aspect to my decision making here as 
well, but I ultimately decided to sell my Minolta X-700 with 50mm lens and 
a Leica/Leitz/Wetzlar 40mm lens I've been sitting on to a local camera shop 
and restrict myself to a fully manual Yashica "J" model rangefinder that 
belonged to my father, a hand me down Polaroid Spectra AF, and as a bonus 
some cheap plastic fixed lens Meikai branded film rangefinder a friend's 
father once gave me that I never even opened... still in plastic 
wrapping... until my 2 year old son just recently got his hands on it when 
he woke from his nap to find me going through a box of my camera stuff and 
insisted we open it! haha.   The friend's father was a flea market/yard 
sale/garage sale hunter and often gifting random little things which were 
always appreciated but often ended up sitting in the closet or back of a 
drawer somewhere.  It was definitely worth keeping this one around all 
these years just to see my son's excitement with what is now his first film 
camera at only 2 years old.  I had a few old rolls of Kodak color film as, 
loaded one up and spent the day shooting away.  Should be interesting to 
see how his first roll turns out (I admittedly took most shots as he was 
generally just holding it up and verbally going "CLICK!" and not letting 
me advance the film again anytime he actually snapped an exposure but was 
having a blast anyway.  I have low expectations between my own recent lack 
of film experience and the toy camera construction (and not even sure the 
film advance was fully engaging at times) so not sure we'll put much more 
film through this particular one.  Anyway, it was a fun day, and a much 
needed one, and hopefully we get a decent pic or two between his roll and 
the one I'm now halfway through on the Yashica as a little memento.  
Otherwise I plan to run through the remaining few rolls of old expired 
color film and get more familiar with the old Yashica and see where to go 
from there.  

But back to camera selections.  I had a few important realizations to 
really drive that particular decision:

1: I needed some cash and had been looking for unused items to 
unload/downsize before a recent move- the Minolta X-700 and that Leica lens 
were the only two worth anything to the local camera shop.
2: I was unlikely to commit enough time in the short term to make the most 
of the X-700 SLR and all it's features, nor would I have the funds in the 
near furture to expand on either platform.  For the Leica lens.  a 40mm 
Summicron C - originally from a Leica/Minolta CE -  I've had a lens with no 
body for years and no justification or budget to invest in a Leica body - 
I'd considered selling everything except the Leica lens and saving for a 
body to pair it with, maybe even a new Voigtlander Bessa (forget which 
model but one has 40mm framelines) but ultimately decided I'd rather play 
around with something immediate and selling the less desireable stuff 
hardly seemed worth the effort.  And just as Teague noted above - I wanted 
to avoid buying/selling on ebay for the exact same concerns.)
3. With a lack of confidence in my camera skills after many years of 
dormancy and generally mediocre results even when I was more active with 
film I'm interested in the challenge in making the most of the Yashica's 
limited features.  Plus no other immediate expenses or concerns such as a 
need for fresh batteries, etc.  I guess I'd try to compare it in a way to 
how I rediscovered something new from something old in cycling kind of like 
I did by trying friction downtube shifters for the first time when I scored 
a free roadbike nearly 10 years ago or exploring fixed gear riding a few 
years back.  I'm hoping to learn from and be surprised by whatever I get 
from these next few rolls of film run through the old camera with little to 
no expectations.
4. I had to keep the Polaroid just for fun and will eventually order some 
Polaroid Originals film packs.  We acquired this at some point prior to 
getting married and I loaded up on some boxes of the Impossible film that 
was available at the time and everyone seemed to have fun with it at our 
reception, although almost all outdoor shots got overexposed with everyone 
leaving them face up while they developed : (

Best of luck on your search and re-entry into film and I'll be curious to 
see what you decide on in the end.  Keep us posted.

I could probably go on for days about a bunch of thoughts regarding our 
digital age and how/why I kind of burned myself out on photography 
altogether, got sick of trying to figure out the multitude of features of 
our digital camera and decided I'd prefer to just spend my time living in 
the moment rather than constantly trying to capture moments, etc. but I am 
now coming to regret the fact that what little documentation I do have of 
our son's first two years is mostly just in digital format on my iPhone.  I 
now find myself wanting to find greater balance with all this stuff and 
find a way to capture some milestones while somehow experiencing more 
pleasure in photographing his childhood in general... while eliminating all 
the urgency/pressure/immediacy and distractedness of the digital/social 
media age, if that makes any sense?

Sorry, none of this answers any of your direct questions nor provides any 
actual recommendations.  I clearly needed a little distraction from a 
hectic work day but where I still can't fully escape the screen.  Guess you 
could say my recommendation is to consider what's more valuable to you:  
Investment in better quality stuff up front but that might come with a 
higher premium?  Or start small/within a budget but with the possibility of 
being disappointed or quickly wishing to upgrade at even greater expense 
later on?  This is exactly one of my own concerns but I've ultimately 
decided to put more value for myself on the experience of re-learning to 
shoot with a very basic and limited feature camera I already own in the 
hopes that it sparks more joy/curiosity for the process.  I've realized the 
more advanced x700 was just 'more camera' than I needed right now and 
heftier/bulkier than I'd want to be lugging around (after having done so 
for a few years back when I bought it used to replace a broken Pentax.)  
I've essentially chosen to limit myself to one film camera and try to learn 
all there is to learn from it and see where it goes from there.

Brian Cole
Lawrenceville, NJ

On Friday, August 16, 2019 at 12:14:14 AM UTC-4, Drw wrote:

> I think this is on topic. I’ve been semi inspired by all the camera 
> content, but moreso, after having a kid, I’m becoming more interested In 
> having hard copy documentation of things (I have a printer. I never print 
> anything), for him to have when he gets older. 
>
> I know my way around the operation of cameras, not expertly, but I’ve 
> taken some classes etc. what I have no idea about is what brands, models, 
> years are good. 
>
> Is there something between a full manual and a full automatic? I think I’d 
> probably not end up using a manual slr at this point in my life. A point 
> and shoot may be better, but something in between would be cool if it 
> exists. 
>
> So what do people like for good quality, durable, quick/easy to use 
> cameras? 

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