He certainly was a technical genius. And much of what he discovered
remains the foundation of BW photogrtaphic science. His work differs
from that of most others in that it can't be judged from a print in a
book. You have to see the silver prints. Then you can understand his
artistry and why he holds such a high place in photographic history.
Paul

[EMAIL PROTECTED] wrote:
> 
> I've been reading over this book recently just to get a feel for how a
> well-known photographer went about his work. Its a pretty good book,
> although, a lot of the pictures have similarities, making some of the
> narratives a little repetitive: Most of them were taken only a little ways
> from his car. He used a yellow 15 filter on a large number of them. All of
> them seem to have had a technical problem to overcome (too much contrast, or
> this tone blends with that tone, or his favorite...this negative was very
> difficult to print).
> 
> One thing that I did notice that was strikingly different about a lot of his
> photographs was that he didn't stick to just one film or just one developer.
> Most of what I hear on forums and primers and the like seem to echo the
> opposite of that. Find a film you like, stick with it, and do similarly with
> processing until you feel confident to experiment. Ansel appears to do more
> than experiment though. He presents each situation as if he knew the nuances
> of exposing, developing, and printing with various films, developers, and
> papers (even so much as mixing different developers together).
> 
> To me, It is really quite astonishing. Ansel truly appears to be a technical
> genius (say what you like about his photos being mere postcards, although i'd
> like to not open that can of worms for this discussion). Am I more astonished
> than I should be at this? Or am I just not knowledgeable enough to recognize
> flowery representation of mediocrity? He did, afterall, write the book
> himself.
> 
> Brent Roberts
> B'ham....Alabama....not England
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