On Sat, Nov 12, 2016 at 2:55 PM, Larry Colen <[email protected]> wrote:
>
> Bruce Walker wrote:
>
>> I dunno. I came to the K-3 from the K20D. Then I came to the 645Z from
>> the K-3. Yet I still shoot the K20D from time to time and when I do I
>> appreciate both its ergonomics and image quality[*]. Nobody with a
>> K20D should feel pressure to upgrade if it's meeting their needs.
>
>
> If your camera is meeting your needs, no matter what it is, you should feel
> no pressure to upgrade.  However, anybody with a Pentax body older than a
> K-5, with the ability to upgrade, should at least consider borrowing one for
> a short while to see if the improved performance might help them in
> unexpected ways.
>
> I think that the button layout on the K-1 is the best yet.  I rarely find
> myself hitting the wrong button by mistake.  I've got a couple of pages of
> gripes about the design of the software UI, but the button layout is very
> nice.
>
>>
>> --
>> * I'm a big fan of the rendering from that CMOS sensor.
>
>
> I went to the K20 from the K100, and there wasn't a lot about the 20 sensor
> that I liked better than the K100 sensor. I did quite like the ergonomics
> and feel of it. For studio work it was a very nice body. Although, once I
> got the K-x, which had the worst feel in my hands of any of my Pentax DSLRs,
> I pretty much stopped using the K20 for anything but studio work because the
> K-x sensor was so much better in anything but the best light.

Heh, funny how it goes. My K20D/K100D experience is almost the exact
opposite to yours. The K100D sensor is so bad at low light I almost
swooned when I used the K20D in the same venues. I put the K100D away
and never shot with it again.

The K20D was just so refined and a huge upgrade in every single way
from the K100D Super. I found there was no comparison at all between
the K20D's sensor and the K100D.

I gave my K100D to an impoverished model whose mother had some Pentax
lenses, so it's getting some use at least.

-- 
-bmw

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