Don't forget Kodak Ektachrome 100S. It's not quite as saturated as the
VS, and it renders colors very accurately. And just to reiterate what
P�l said, transparency films should almost always be exposed at the
rated value. Sometimes, you can get a little bit more saturation by
underexposing a very small amount (or a little less by overexposing a
small amount), but generally the rated speed is best. Negative films are
different, because the film is an intermediate step, and the ISO can be
adjusted to fine tune the end result to your needs. 
Paul 

P�l Jensen wrote:
> 
> Valery wrote:
> 
> > Fuji Provia 100F (day-light)
> 
> The 100F is an extremely fine grained slide film. However, it's not actually sharper 
>than other 100ISO slide films although a lot of folks seems to think so. It find it 
>too expensive, the color palette extremely unpleasant; particularly the blues that 
>always comes through as greyish.
> 
> > Fuji Provia 400F (low-light)
> 
> Excellent, sharp and fine grained 400ISO film. Should perhaps be exposed at 640ISO 
>instead of 800ISO when pushed one stop.
> 
> > Fuji Astia  100  (portait)
> 
> Astia is diontinued but I understand that Sensia II is the same emulsion. This is a 
>great all-round slide film that is sharp with saturated colors. It's cheap as well. 
>Best buy out there.
> 
> > Kodak 100VS
> 
> Extremely sturated colors that could be downright weird in certain circumstances. 
>It's coarse grained but is still a film that can make wonders under certain 
>circumstances. Not an obvious all-round choice.
> 
> > Please share your experience of rating these films.
> > Should I over- or underexpose them and of what rate?
> 
> All these films should be rated at the indicated ISO number unless you camera needs 
>calibration.
> 
> 
> > How Provia 100F differs from Kodak 100VS?
> 
> 100VS has more saturated colors while the 100F is much more fine grained.
> 
> P�l
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