Thanks to all for your  replies.

Especially to Charles, wow!, a really fulsome description. That  helps a 
LOT. Thanks also to Stan, Zos, Ken, and Tim.  

The teacher  will eventually cover night photography, but I wanted to try 
shooting some this  coming week. So this gives me a direction to go in.

Thanks again!   Marnie aka Doe :-)

In a message dated 4/19/2013 9:44:35 A.M. Pacific  Daylight Time, 
[email protected] writes:
On Apr 19, 2013, at 11:11 ,  [email protected] wrote:

> Never really done that much night   shooting.
> 
> I am, again, think it's been 5 years, taking a photo  class that  ends in 
a 
> little show (mat & frame & hang pics  & invite family &  friends). You 
pick a 
> theme to shoot  around. I am, again, choosing an  environmental one.
> 
> There  is an oil refinery nearby that is lit up like a  fairy castle at 
>  night. They don't like you taking pictures (if they see you on  or near  
their 
> property), but there is a spot across the freeway where I think  I  could 
get a 
> good night shot.
> 
> Only don't know  how to begin. High ISO? Long  exposure? Never done HDR, 
> would that  be better? (Definitely plan on using the  old tripod, and I 
do have  
> a remote.) I can try different approaches and shoot it  again on  return 
> trips.
> 

1. Tripod

2. 2-second release  (also ideally with a remote release) so that the 
mirror is flipped up and  everything has settled down a bit before the shutter 
opens.

3. Shoot RAW  - most of the speckles and noise (hot pixels) you get from 
overheating the  sensor are automatically removed by the Adobe Raw converter 
when you import into  (whatever you use) and it'll save you a ton of time 
"cleaning up".

4.  Shoot as low an ISO as you are patient enough to use.  That will come 
back  to you in sharpness.  If you like, you can start with a high ISO to 
figure  out approximately the exposure range you want to use, and then crank 
down the  ISO (and crank up the exposure time to match).

5. Along with low ISO,  stop down to f5.6/8/11 to help with your 
depth-of-field.  Especially when  it's pitch dark out (I don't know how 
well-lit your 
subject is) it can be tricky  to get the focus spot-on.

6. Don't be afraid to start with an  automatically-calculated exposure.  
You can then dial the  exposure-compensation up or down "to  taste".


-Charles

--
Charles Robinson -  [email protected]
Minneapolis,  MN
http://charles.robinsontwins.org
http://www.facebook.com/charles.robinson




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