Larry,
Have you tried infrared flash for this stuff.
Long ago a friend gave me some shots he captured for the yearbook
at a dark music weekend.  Compromising photos he conveniently 'lost'.
Regards,  Bob S.

On Sat, Sep 22, 2012 at 1:40 PM, Larry Colen <[email protected]> wrote:
>
> On Sep 22, 2012, at 5:26 AM, Godfrey DiGiorgi wrote:
>
>> On Sat, Sep 22, 2012 at 12:27 AM, Tim Bray <[email protected]> wrote:
>>> On Fri, Sep 21, 2012 at 11:52 PM, Godfrey DiGiorgi <[email protected]> 
>>> wrote:
>>>
>>>> Unless you're making a living from a particular kind of job, you
>>>> always have those luxuries. Change the light. :-)
>>>
>>> Bah... For some of us, the good pictures are found not staged. -T
>>
>> LOL ... I didn't say to stage anything. I said "change the light."
>
> That's not always an option.  Dancers appreciate getting photos of 
> themselves, but they don't appreciate a flash.  And I can certainly 
> appreciate that.  Last weekend there was someone shooting by bouncing her 
> flash off high ceilings, from the floor, and every time she took a shot, it 
> hurt my eyes.  I tried to suggest that she at least put up the catchlight 
> card to bounce some of it forward but she said she tried it and didn't like 
> it.
>
> I wasn't making my living at photography, but I was the official event 
> photographer.  I had the light that was there, fast moving subjects, a K-5 
> and my wits.  I did what I could with what I had.  Sometimes, perfectly sharp 
> just isn't possible, especially on a Pentax rather than a Leica budget.  I 
> have to settle for "as sharp as I can get it" and concentrate on capturing 
> the moment.
>
> I guess that when I get tired of blurry, noisy photos of dancers in dimly lit 
> rooms, I can try photographing dead leaves on the sidewalk, or people sipping 
> lattes in a coffee shop.
>
> :-)
>
>>
>> Do my photos look as if I stage things?
>> --
>> Godfrey
>>  godfreydigiorgi.posterous.com
>>
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> --
> Larry Colen [email protected] sent from i4est
>
>
>
>
>
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