Yesterday I tried out a Ricoh XR-P in the camera store ($150, the going 
rate). I hadn't realized that the XR-P lets you see the aperture in all 
modes, like the Pentax K2, KX, LX, and MX. Hmmm. How bright would the 
viewfinder be?

I mounted my 400/5.6 PKA. The XR-P's brightness blew me away!

Then I removed the 400, attached my 1.4X-L, and remounted my "560/8". The 
XR-P's viewfinder was still plenty bright, inside the store. The 45-degree 
split-image rangefinder did not even completely dim out!

Then I mounted my Vivitar 135/2.3. The brightness was so dazzling, I felt I 
was cheating or using a 50/1.4!

Looking back at the 1984 review in Amateur Photographer, I see that "a new 
type of screen has been used by Ricoh giving a brighter, sharper image and 
its certainly an improvement on the old type."

Yet in a message titled "Off topic, need comments on Ricoh bodies," PDML's 
Alan Chan wrote of the XR-P (1999-06-12), "The screen was relatively dark". 
Alan added, "but the viewfinder was well designed (the display is still the 
best IMO.)." I'd have to agree. There's no need to tap the shutter button 
to update the readout. Imagine a vertical LCD shutter-speed array that 
constantly reflects the exposure value, combining the fluidity of the KX's 
match needle system with the digital readout of the LX.

I had read that the XR-P was loud, but the salesman pointed out that the 
noise was chiefly from second mirror slap, which comes after the exposure 
is made. Indeed, I did not find vibration objectionable; it was below that 
of my Super Programs.

Would anyone else care to comment on the XR-P's brightness? Freedom from 
vibration?



Paul Franklin Stregevsky
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