On Wed, May 16, 2012 at 7:41 PM, Paul Stenquist <[email protected]> wrote:
>
>
> On May 16, 2012, at 6:24 PM, Bruce Walker wrote:
>
> > On Wed, May 16, 2012 at 5:45 PM, Paul Stenquist
> > <[email protected]> wrote:
> >>
> >> On May 16, 2012, at 4:23 PM, Bruce Walker wrote:
> >>
> >>> More strong evidence that a change is in my future. The D800E is
> >>> looming large. Sigh.
> >>>
> >> Nothing to sigh about if you can afford it. They're all just cameras.
> >
> > I'm sighing because I can't afford it, but kinda need it, or will
> > sooner rather than later.
> >
> > I used to poo-poo the whole FF vs crop debate/fanboy-rant, but not
> > anymore. The necessity for raw, clean megapixels becomes clear when
> > you start retouching studio shots.
> >
> I was surprised to read that you're lacking clean raw megapixels, Then I
> read further, saw that you're shooting with a K20D, and i all made sense.The
> K-5 is a huge improvement over the K30D, particularly in terms of noise. I
> do plenty of retouching at pixel level and the K-5 images are extremely
> clean. I had noise problems with both the K20D and the K-7, but that's just
> a vague memory. To me, a camera with a different mount doesn't count as a
> backup. I have to be able to twist the same lens onto a new body if you get
> a failure. And I don't want to stop and think about the controls.
>
> Borrow a K-5 and give it a try. You'll be amazed at the difference.

You've given me some hope, thanks! :-) Not sure I can borrow one, but
I'll see what I can manage.


> If that can't work for you, I'm probably going to shoot seven or eight
> portraits in the studio in the next week or two (assuming the client signs
> the estimate). If you wish, I'll send you a RAW file for pixel peeping. Of
> course any RAW file that's shot at close to native ISO, studio or outdoors,
> can provide a good look at how clean K-5 images are.
>
> Paul

Paul, I'd really like to take you up on that offer. I'm extremely
interested to peep a K-5 RAW. Do you work hand-held, by the way? I
know that part of my pixel fuzziness is from hand-holding but it's
just so hard to use a mono- or tripod in my workflow.

I appreciate your feedback, Paul.

--
-bmw

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