Bruce echoed my thoughts too. This seems a weird path to normal color.

If I were doing this sort of thing, I'd make a couple of shots of a
Macbeth Color Checker and use the Passport software to generate a
custom camera calibration. Fluorescent lighting always has a peculiar
spectral signature.

G

On Tue, Apr 10, 2012 at 6:23 AM, Bruce Walker <[email protected]> wrote:
> Explain to me this, Larry. Why go to the trouble of taking a
> fluorescent light, already with a green cast, purposely adding a green
> gel to it making the scene *very* green, taking shots, then using
> post-processing to remove all that at least half intentional
> colour-casting?
>
> Just to see if it can be done? :-)
>
> Why not simply use straight un-gelled light to begin with? Or if the
> gel is there, presumably the colour cast is intended, so why not
> render the scene as the participants observed?
>
>
> On Tue, Apr 10, 2012 at 5:30 AM, Larry Colen <[email protected]> wrote:
>> One of the things that I'm hoping to get out of LR4 is a bit more range in 
>> adjusting color.  I was asked to get some shots tonight under fluorescent 
>> lights with green gels on them.
>>
>> This is what one looked like straight out of the camera:
>> http://www.flickr.com/photos/ellarsee/7063876393/in/photostream
>>
>> Using auto white balance, which tweaked the slider all of the way to 
>> magenta, actually got me pretty close, but not quite there:
>> http://www.flickr.com/photos/ellarsee/6917799356/in/photostream
>>
>> So, I exported it as tiff, reimported it to lightroom, and did another round 
>> of automatic white balance on it:
>> http://www.flickr.com/photos/ellarsee/6917799600/in/photostream
>>
>> --
>> Larry Colen [email protected] sent from i4est
>>
>>
>>
>>
>>
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>
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> -bmw
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-- 
Godfrey
  godfreydigiorgi.posterous.com

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