Other alternative is a 'Vise-Grip' pliers with a bolt or two braised onto them.
You then put a small ball head on the bolt and the Vise-Grip onto anything.
Regards,  Bob S.

On Mon, Nov 22, 2010 at 3:16 PM, Walter Gilbert <[email protected]> wrote:
>  Thanks for the input!  I think I may have come up with the best option -- a
> sort of reverse monopod.
>
> A 1/4" bolt through a length of lightweight chain.  Run the bolt through one
> end of the chain (making sure the link is smaller than the head of the bolt)
> -- screw into the camera, step on the other end of the chain and pull it
> tight while shooting.
>
> It'll provide a fair amount of stability, and when not being used, can be
> carried in a pocket.
>
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> On 11/22/2010 3:05 PM, Rob Studdert wrote:
>>
>> On 23 November 2010 07:16, DagT<[email protected]>  wrote:
>>
>>> I usually start by walk around or looking at the subject, trying to find
>>> out what caught my interest, visualizing how the picture could be, and then
>>> start photographing. Even then I tend to take few pictures, sometimes only
>>> one. No tripod, even when using large format, because it removes the
>>> flexibility and slows down the reactions.
>>
>> I realised many years ago though inspection of my slides at high mag
>> that tripods apart from often reducing the amount of often useful
>> experimentation in composition aren't the be all and end all to obtain
>> optimal sharpness either, especially when working with WA lenses in
>> good light.
>>
>
>
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