Bill wrote:

> What happened to make film transport speed so important?  Didn't sports
> photogs learn how to use their equipment and get great shots in the days
> before high speed motordrives?  When I was shooting for our college yearbook
> back in 1962-63, I used a rangefinder 35 and a Speed Graphic, and with a
> little practice was able to anticipate when to press the shutter.  To me
> this makes much more sense than burning 10 or 12 rolls of film per game and
> hoping the camera had enough intelligence to anticipate the exact moment for
> the shot.


I have a hard time understanding why Pentax choose only 2,5fps rate of the MZ-S. 
Probably a spasm of common sense; after all very few shoot with 5fps and in tune with 
a no-nonsense approach they rather put priorities of having a precise and durable film 
transport.
They strongly misjudged the psychlogical effect though. I believe the slow film 
transport is the main reason that people insist that the MZ-S is under specified. It 
is like a camera with 2,5FPS must be cheap. Its apparently hard to see through those 
superficial specifications. 
Some seem to forget the fact that only a fraction of the LX and F3 sold, being 
professional cameras and all, ever enjoyed a motor drive. So its no wonder that 
Pentax, who never catered to the sports photographers anyway, choose not to emphasise 
this feature.

P�l
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