> > 
> > the key thing, though, is to try and photograph these things
> > differently. The difference between a routine snapshot and a great
> > photograph is often just a matter of trying something different
> 
> Agreed! & thanks for sharing the Taj Mahal Pics.  Cheers, Christine
> 
> > 
> > 
>
http://photography.nationalgeographic.com/photography/enlarge/taj-maha
> > l-reflection_pod_image.html
> > 
> > http://tinyurl.com/3feslk
> > 
> > It adds so many layers, yet still shows the Taj Mahal. Most 
> of us will
> > never take a picture like that, but that's no reason why we 
> shouldn't
> > try, because trying is what will make us better.
> 
> How right your are! C

before I go scooting off to these places I like to look at photographs
in different guide books and coffee table books to get a sense of how
the places are portrayed by 'ordinary' travel & stock photographers*.
I at least know in advance where the qualifying bar is set. I also
like to look at books by Magnum & National Geographic photographers
(often one and the same), and at the respective websites, to see where
the world record is, so to speak. The latter usually have an entirely
different way of looking at things, or turn their backs on the
ordinary subject matter. 

I've always found it extremely useful from the point of view of my
photographic education to visit places where some of my favourite
photographs have been taken, and try to figure out what Barbey,
McCurry or whoever saw, how they saw it and how they came up with
something different. I don't want to copy their shots - I want to try
and understand their thought processes. 

Before my week in Fez I bought Bruno Barbey's book called "Morocco",
and spent a lot of time on the Magnum website looking at his pictures
and those by Abbas and others. They helped me to see Fez in a way that
probably wouldn't have been possible otherwise.

Since I came back I've looked closely at the book and the website
again, with the light of experience, and it has increased my respect
for them enormously, and given me different ways of looking at and
appreciating their work.

Regards,
Bob

*I use the word 'ordinary' advisedly because it can be tremendously
difficult to get any pictures at all in some places, let alone ones
that are well exposed, in focus and show a great subject.


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