On Jun 15, 2006, at 10:09 AM, Kenneth Waller wrote:
>> No quality losses when saving the first JPEG after editing.
>
> I guess I knew that but haven't observed the difference. Has anybody?

I've tested TIFF output against JPEG highest-quality on four  
different cameras. There are differences, certainly, but  
insignificant to image quality.

I see absolutely no point to saving TIFF files in-camera. They're  
huge, they are just 8bit RGB rendering (same as JPEG), they take  
forever to save, and they don't provide anything useful over JPEG  
highest-quality.

When you open JPEG files for editing, immediately save them as .PSD  
or .TIF for editing purposes. Only resave to JPEG when you're done  
editing. You will not see any noticeable increase in noise or  
artifacts that way, even at maximum size prints.

I worked with cameras that don't have RAW format capture options  
quite a bit (Sony F707/717, Panasonic FZ10). I made many thousands of  
excellent exposures with them and did a lot of editing with them too.  
The results are very good if you've got the JPEG parameters set up  
correctly. Making prints from them is not too big a deal, if the  
scene dynamics fit into the JPEG dynamic range.

But it's a heck of a lot easier to work with tricky lighting  
situations using RAW format capture ... you have more dynamic range  
to work with and don't have to keep on top of white balance,  
contrast, saturation parameters to quite the same degree since these  
are all set in the RAW conversion phase of the workflow rather than  
in the camera.

I don't find this additional step much of an issue, it's basically a  
matter of setting all the RAW parameters and then batch-converting  
the files to .PSD 16bit RGB or .JPG 8bit RGB depending upon what I  
need as output. 100-300 exposures usually takes about 10 minutes to  
get to that point. I'd rather have the ability to adjust things and  
the additional dynamic range than have to fiddle so much with the  
camera and bracket so much.

Godfrey



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