Paul Stenquist wrote:
> 
> Yes, don't even think about using flash. You'll have a white spot in
> the middle of a painting.
> Paul

I wouldn't dream of it.  I never even owned a flash (except
a macro ring light)
until a few years ago.

ann available light are us san




> On Feb 5, 2006, at 10:41 PM, Ann Sanfedele wrote:
> 
> > Powell Hargrave wrote:
> >>
> >>> These aren't being shot for reproduction as far as I know,
> >>> just for galleries
> >>> to review his work. It may be that absolutely precise color
> >>> is not going to swing
> >>> the viewers one way or the other - but I'd certainly like to
> >>> get as close as possible to
> >>> reality.
> >>>
> >>> ann
> >>
> >> I'm always amazed how bad many of the slides are which are submitted
> >> to our
> >> selection committee.  I frequently scan these slides and "colour
> >> correct"
> >> the pictures for Nanaimo Art Gallery's brochures and web site.  Often
> >> when
> >> I see the actual painting the colour can be very different.
> >>
> >> If this is for submission to a selection committee perfect colour is
> >> not
> >> necessary.  Close to accurate is just fine.
> >> Lighting is more important.  If the works are glazed if is best to
> >> use two
> >> lights at 45 degrees.  I use two flashes.  Gives decent colour.
> >> I like to work in a dim room with no light behind the camera. A nail
> >> in the
> >> wall to hold the painting.  Two flashes at 45 degrees on stands.
> >> Wear dark
> >> clothes.
> >> Shoot hand held.  A tripod is not necessary if using flash.  That way
> >> it is
> >> easy to frame and level by moving the camera.  Be careful to shoot
> >> straight
> >> at the centre of the painting by checking that all four sides are
> >> parallel
> >> to the frame.  Use a good macro lens if possible.
> >>
> >> Is your pictures are straight, sharp, have good colour and few
> >> reflections
> >> they with be way above average.
> >>
> >> HTH
> >
> > I'm hoping I dont have to bring a lot of lighting gear...
> > whatever I do and whatever film I use, I'm shooting digital
> > too, rather like using polaroid
> > for checking ight in the olden days.
> >
> > I wouldn't dream of shooting hand held or using flash. IF I
> > have to, I'll use studio lights...
> > I can barely hold the camera up anymore, let alone hold it
> > steady. Cant have Theraultian blur
> > for artwork :)
> >
> > I have a portable level to use on the camera and the arwork
> > itself. once ive set up for the
> > first painting, nothing will change for all that are the
> > same size.
> >
> > But I certainly am appreciative of all the help on emulsions
> > for all of you.
> > ann
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >>
> >> Powell Hargrave      [EMAIL PROTECTED]
> >> Digital Imaging      http://members.shaw.ca/hargravep
> >> Nanaimo Art Gallery  http://nanaimogallery.ca
> >> Nanaimo,  Vancouver Island,  British Columbia,  Canada
> >

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