Well as long as you didn't refill your wine glass with fixer, all should be
ok in the morning. :)
I've got a stoopid camera trick that rates up with that one and might make
you feel better.
Last weekend in Paris on a fine clear summery morning, jet-lagged and unable
to sleep, I took a cab with my sleepy-eyed fiance in tow and all my gear to
the top of Monmarte to catch the sunrise over Paris. After shooting most of
a roll of Paris from in front of Sacre-Coeur, I started to pack up for a new
location, and noticed that my LX shutter speed dial was still set to the
2000 I used to clear the first few frames of the roll. Every shot was
nearly black. And It was Velvia.
Cheers,
Gerald
----- Original Message -----
From: "Shel Belinkoff" <[EMAIL PROTECTED]>
To: "Pentax List" <[EMAIL PROTECTED]>
Sent: Sunday, June 03, 2001 11:40 PM
Subject: Mr. Stoopid's Darkroom Triumph
> If you've ever processed your own film, you'll know how some days
> everything is perfect. The chemicals were mixed precisely, the
> background music you've chosen is perfect, the temperatures on the
> money, and every time you lift the tank to agitate the rhythm and
> timing are spot on. Such was this evening's experience, as I was
> processing some wonderful happy snaps of a dinner we had at a
> friend's house last week. Tri-X in Acufine, EI 1000. Everything
> was perfect, except that I developed the film in the fixer!
>
> May ~your~ darkroom experiences all be better than this one.
> --
> Shel Belinkoff
> mailto:[EMAIL PROTECTED]
> "It matters little how much equipment we use; it
> matters much that we be masters of all we do use." - Sam Abell
> -
> This message is from the Pentax-Discuss Mail List. To unsubscribe,
> go to http://www.pdml.net and follow the directions. Don't forget to
> visit the Pentax Users' Gallery at http://pug.komkon.org .
>
-
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