Tanja,

Looks like you're branching out a bit.  What took you in this
direction?  Inquiring minds want to know!

Comments:
For me, the door shots suffer from shooting from too low of an angle.
They are leaning over just a bit too much.  Other than that, they are
very nice.  Seems that someone looking for stock photos of old doors
would want the vertical lines to be a bit more parallel.  I would go
back and do some more with that subject.

I really like the shot of the sandals with the shadows.  I can see
someone wanting to use that in some illustration.
The B&W fence with your hand is great.  I would probably go back and
do some more experiments with it.  I don't care for the color fence
though.

I can see where you're headed with the trail of rose petals - not
quite there yet.  Don't know exactly what, but you are on the right
trail.  B&W also looks better on that.

Of the flowers, 21 & 22 I like the best.  Partly because they are
unusual views - they challenge me a bit more.  When I submitted stuff
for stock, it was very difficult to figure out what they would like
best.  Sometimes, just simple straight shots were chosen over more
artistic renderings.  I assume the stock houses knew their clientele a
bit better than I did.  I say that because several of the flower shots
they may rather like over others - hard to tell.  Side note: I rather
like 26 as well.

Thanks for sharing and showing yet another side of your talent.  Nice
work!

Bruce


Thursday, July 22, 2004, 4:16:42 PM, you wrote:


TMP> or whatever you may wish to call it....

TMP> Anyways, at the risk of being in lots of trouble from the COF's for my
TMP> prattling this morning, I thought I'd better show that I actually do take
TMP> the odd photo now and again too...  and, whoa, i even used pentax equipment!
TMP> woohoo!

TMP> I have been studiously watching the stock photography sites for sometime
TMP> now, and noticed that most images are posted in groups pertaining to a
TMP> certain theme and/or variations on it.  I wanted to do some funky looking
TMP> stuff, so that they aren't just "boring, old, flower pics", hence the colour
TMP> shifts etc.

TMP> So, here's the link to the gallery:

TMP> http://www.tanyamayer.com/stock22july04/

TMP> And this one is my undisputed favourite from the day, and has no
TMP> manipulation at all, this is straight from the camera:

TMP> http://www.tanyamayer.com/stock22july04/22.htm

TMP> So, when I was shooting my beloved lavender yesterday, I thought I'd have a
TMP> play with some different techniques.  Most of these have been manipulated
TMP> using levels/colour balance in the Pentax RAW converter, however all are the
TMP> original crops/compositions etc.  God only knows what anyone would ever want
TMP> to buy/use them for, but I guess it can't hurt to try!

TMP> All shot with *istD, and Tokina 28-70/2.8 atx pro, tamron AF 2x
TMP> teleconverter, AF-500ftz, and Lumiquest Promax Softbox.  Oh, except for the
TMP> ones that are obviously wide, which were shot using the FAJ 18-35.  All
TMP> hand-held, various exposures due to changes in depth of field etc, and
TMP> varied from 1/30th (for the blurred ones, and those with movement in them.
TMP> btw, if they have movement/blur in them, it *was* intentional, lol!) to
TMP> around 1/150th, and between f3.5-f11.

TMP> And while we're on the subject, any ideas which would be the best agency
TMP> that I should approach?

TMP> thanks!

TMP> tan.


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