I ran around for a while with an A50/2.8 macro on my Super Program as the normal lens. It's OK, but I missed the f1.4 or f1.7 of my other 50's. After a while, the viewfinder is notably dimmer and those extra stops are missed. Differences in sharpness were not apparent in every day subjects. Regards, Bob S.
[EMAIL PROTECTED] writes: > > You should save moeny and get the 1.4. > > I have the A 50 f/2, and the FA 50 f/1.7 - and the aperture difference is > > hardly noticeable. > > > And what about FA 50/2.8 Macro then? Is it the sharpest of all 50's? It has > "floating elements", so it should perform well in infinity too. f2.8 was > standard for 50mm lenses many years ago.