take quite a few shots, various aperatures
take a flash, preferable one with tilt, and bounce light off the ceiling to
help fill the area
will there also be Window light coming in, hat may help balance light just a
little!

At 07:10 PM 2/22/2001 -0800, you wrote:
>Hi,
>
>I have been recruited to shoot a photograph inside our
>office of a reception area that includes a sign with
>our company name.  The purpose is to make a large
>(probably 20"x30" or something like 50cm X 80cm) print
>for employees to sign their names on for a retiring
>executive.  The lighting is mostly quartz halogen with
>some spillover florescent.
>
>Since I'm not really a "color" guy here's where I
>could use some advice.  Any suggestions on film?  I
>was thinking of using Kodak Portra NC 160 for the
>somewhat reduced contrast since the lighting is
>overhead and there are some hot spots.  Is there a
>better film for this kind of situation?  How about
>Reala?  Or is that too contrasty?  Do I need a filter
>with Halogen lighting?  Or when I have the enlargement
>made, can the lab "dial in" the neccessarry
>adjustments?  I will be using a tripod and expect
>shutter speeds to be in the 1/15 to 1 second range, so
>that I can avoid reciprocity failure problems.
>
>If warranted, I have the opportunity to borrow a
>Yashica D tlr medium format to take the picture (if
>the fixed "normal" lens provides a usable fov). 
>Thoughts on this?  I'm tempted to stay with my
>Pentaxes if for no other reason than to see how well
>color 35mm stands being enlarged this much without me
>spending any money.  :-)  Anyway, it's not like my
>career hangs on this, our center is being phased out
>and I will be laid off work in the next 6 months-1
>year. :-(
>
>TIA for your help.
>
>William in Utah.
>
>
>
>
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>
Tiger Moses

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