I'm not missing the point, but I find it incongruous. I realize you're
talking about using the same film area, which would yield approximaely
the same results. But say I'm shooting a Snowdrop flower, which I have
done. It's about the size of a dime, smaller than a 35mm frame. If I
shoot it with my 35mm and 1:1 macro, I can frame it nicely and get good
results. If I shoot it in 6x7, I would use extension tubes and a
reversed lens, go for more magnification perhaps 4X or so, fill the
frame with it, and probably end up with a better image. Even when
shooting something smaller than a 35mm frame, I try to take advantage of
the larger negative. 

Dr E D F Williams wrote:
> 
> But you too are missing the point. It is that the film is the same, whether
> it be 35mm or a piece the size of you bedroom wall. The emulsions may differ
> a bit of course. So when the image is of a size that fits 35 mm there is no
> point in using a bigger piece for Heavens sake!
> 
> Don
> 
> Dr E D F Williams
> 
> http://personal.inet.fi/cool/don.williams
> Author's Web Site and Photo Gallery
> Updated: March 30, 2002
> 
> ----- Original Message -----
> From: "Paul Stenquist" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: Sunday, December 15, 2002 3:47 PM
> Subject: Re: An experiment in tonality
> 
> > I have pictures of the same scene in 35mm and 6x7, taken with
> > approximately the same angle of view: 28mm for 35, 55mm for 6x7. But if
> > I put my 6x7 negative in the 35mm film holder, I will no longer have a
> > picture of the same scene. I'll have a much tighter crop. If, on the
> > other hand, I print the same scene twice on the same size paper, once
> > with the 35mm neg and once with the 6x7 neg in my 6x7 film holder, the
> > 6x7 print will have much less grain and better apparent sharpness. Been
> > there, done that. But it's kind of obvious I would think.
> > Paul
> >
> > Dr E D F Williams wrote:
> > >
> > > I am suddenly tempted towards ribaldry - but will contain myself.
> > >
> > > Many of you will have pictures you've taken on both 35 mm, and a larger
> > > format, of the same scene. I know I have. Amongst my slides I have shots
> of
> > > mountain scenes taken with a Bronica SQ-A and a Pentax ME Super taken at
> the
> > > same time on the same film stock - Kodacolor. Perhaps some of you, or
> even
> > > one person could do an experiment?
> > >
> > > Find a pair of negatives of the same subject or scene. Focus your
> enlarger
> > > and make a print of the 35 mm negative. Then put the bigger negative in
> the
> > > 35 mm holder. Focus and make another print without moving the enlarger
> > > column up or down. Compare the two. Does the larger format show less
> grain?
> > > Is it sharper? Is the 'tonality' better. Unless there is a big
> discrepancy
> > > between the two images due to differences in the quality of the two
> lenses,
> > > the processing, or other taking conditions, they should be similar. I
> know
> > > mine are.
> > >
> > > A good achromatic loupe would be enough to come to a conclusion - a
> print is
> > > not really needed. That is merely labouring a point I've been trying to
> make
> > > for days. Is there less grain on your 6 x 6 at say 5-10X magnification
> than
> > > on the 35 mm? There certainly is not on mine. Are the edges of objects
> less
> > > sharp in one than the other? Not that I can see. I've just done this
> myself.
> > > Even though the outcome was a foregone conclusion - I was being
> objective.
> > > But I used a microscope, not a loupe.
> > >
> > > What about tonality? I like tonality! I don't know what it is. But I'm
> ready
> > > to guess. Is the word meant to describe the range of tones, grey levels,
> or
> > > colours, that are discernable on a slide, negative, or print, by the
> human
> > > eye? If so whose eye? Or is it the range of grey levels or colours
> > > measurable only with a densitometer or spectrophotometer in a
> laboratory? Is
> > > it something only certain people can see? Is it that barely discernable
> gut
> > > feeling of 'betterness' due entirely to the fact that one piece of film
> is
> > > bigger than the other? Is it magical? Does it involve an oracle? Maybe
> Harry
> > > Potter can help us?
> > >
> > > When someone say's 'trust me' - never do. When they say 'believe me' -
> > > don't. Say 'prove it' instead. Again I am tempted, but will restrain the
> > > impulse.
> > >
> > > Don
> > >
> > > Dr E D F Williams
> > >
> > > http://personal.inet.fi/cool/don.williams
> > > Author's Web Site and Photo Gallery
> > > Updated: March 30, 2002
> >

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