On Sep 5, 2017, at 3:24 PM, Ilan Garibi <[email protected]> wrote:

> 
> Do we really ask a permission from every writer to read his book in front
> of our class? It doesn't make sense at all, just like with any other
> creation. Do we ask permission from a painter to talk about his paintings
> in class?

> Ilan Garibi

I totally agree and second Ilan’s thoughts. In the past I used the same analogy 
as this questions surfaces time and again. 
We don’t ask permission to the authors of text books in a chemistry class, or a 
biology class,
We don’t call Sony records (or whoever holds the copyright) to use The 
Beatles’s scores
to teach their music in a conservatory teaching room. We do, and should, of 
course, 
ask for permission if the music will be played in an auditorium or be 
broadcast, etc. 
As for a teacher receiving a payment for his time and teaching skills, why not? 
He is not
receiving a payment for creating a model, he should be paid, and encouraged to 
request
a payment for he has received an education (either self-educated or formally) 
and because he is putting
into practice pedagogic tools, he knows how to conduct a class, etc. Anyone 
believes he doesn't deserve
a payment for that? Why origami should always be taught “free” as if we had to 
beg
or as if origami shouldn’t deserve to be considered a serious, or as serious 
as, any other
art, named, painting, sculpture, engraving, etc.? 
I do believe an origami teacher should be paid for his time and for his
knowledge, which has nothing to do with the text book (e.g. a diagram book) he 
choose to use
in class. Please. Consider this. All over the world. Many teachers don’t even 
imagine 
that we are still discussing this in our little endogamic origami bubble. They 
just grab an origami book
from the shelf and use it in cass/workshop. No question asked because it would 
just seem so obvious. 
It doesn’t even come to their mind that they have to start collecting emails 
from an author they only
know by the name on the book who lives perhaps in the antipodes of the world. 

Thanks
Laura Rozenberg

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