Couple other questions.1. Where are you putting the bell EQ peak?1. Can you
hear the difference between a cramped bell-EQ at 48 kHz and one at 88 or 96
kHz? Let's say you put the peak at, say, 12 kHz and give it 10 dB and a Q=1.
(If you have better settings for the listening test, please let us know.)2.
Then can you tell the difference between a Nyquist-adjusted (either a la
Orfanidis or Knud Christiansen) bell EQ with the same settings at 48 to another
at 88 or 96?I know things get tight for Fs=44.1 kHz. But they get a little
looser for 48 kHz. Seems to me that putting the peak at even 15 kHz and, with
the Nyquist adjustment, we can nail the gain right at, say, 20 kHz exactly.
And and extra elbow room at between 22.05 and 24 kHz would be welcome.But, in
any case, if Fs= 88 or 96, I can't see how any of that cramping can be an
audible problem above 24 kHz. So what if it's "cramped" up there? And is
there *any* need for a higher sample rate?Powered by Cricket Wireless---
--- Original message------From: Andrew
Simper<[email protected]>Date: Tue, Dec 12,
2023 4:50 AMTo: [email protected];Cc: Subject:Re: MUSIC-DSP Digest -
3 Dec 2023 to 4 Dec 2023 (#2023-67)This is switching between a cramped (ie
non-corrected) linear trapezoidal SVF type bell EQ at 44.1khz vs 4x44.1khz of
the same EQ.I've never really analysed EQ curves in other people's products,
apart from in Ableton Live which I use, and wanted their algorithm
improved.Cheers,Andy Simper
