On Sat, 31 Dec 2005, Dik Takken wrote:

> Has any of you ever played with the Pinnacle MovieBox DV A/D converter? It 

        Not that specific one but Pinnacle products were reported as having
        some issues in the past with A/V sync (they left me with the impression
        of a 'cheap'er unit).  Probably fixed by now but while I was working
        with the DV format I stayed with the Canopus products.

> looks like an affordable solution to convert old VHS tapes to DV.

        You get what you pay for - or put another way "Du bekomst 
        was du bezahlt hast"  ;)

        What is "affordable"? <grin>.  One man's "affordable" is another man's
        luxury...  DV converters range from in the $200 range to $1400
        (Canopus ADVC-500) to $2000 (ADVC-1000).  The ADVC-110 at $210 is
        a nice unit (the -300 is $449).

        I'm not sure if they ship internationally (I think they might) but
        BH Photo is an excellent source of info and their product selection
        is awesome:  http://www.bhphoto.com

        It is highly recommended that a S-Video cable be used (which means
        a S-VHS deck) _or_ failing that a high quality 3D Comb filter in 
        the conversion unit.  The Canopus ADVC-300 has both a TBC and a
        3D filter (but is a more expensive unit).    As another person
        commented (hi Stan! ;)) the Canopus ADVC110 is a very good unit
        (replacement for the -100, one nice feature of the -110 is that it is
        bus powered and doesn't need a power-brick).

        If you hae a S-Video capable VCR then a less expensive converter
        (such as the ADVC-110) would be an affordable choice.  If your 
        VCR doesn't have S-Video and you'd rather not replace the VCR then
        a better conversion unit with good Y/C separation capability would be 
        the way to go.  Not sure which is more affordable - a new VCR
        (and S-VHS decks are only $100 or so, at least in the US) and a less
        expensive converter, or a more expensive conversion unit.

        If you're planning on editing then the presence of the 'locked audio'
        feature is essential (this is NOT the same thing as A/V sync slip but
        higher quality units that implement locked audio are better built
        units that avoid the drifting A/V clock issues).  

        I think if you do a search on the mailinglist archives you'll find
        a number of folks that have switched to the Canopus units and been
        very happy with them.

        Good Luck!

        Cheers,
        Steven Schultz



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