Resist, My People, Resist: The Fifty-Second Newsletter (2024) | Tricontinental: 
Institute for Social Research


Pain shudders through the arteries of global society. Day after day passes by 
as the genocide against the Palestinian people continues and the conflicts in 
the Great Lakes region of Africa and Sudan escalate. More and more people slip 
into absolute poverty as arms companies’ profits soar. These realities have 
hardened society, allowing people to bury their heads and ignore the horrors 
unfolding across the world. Ferocious disregard for the pain of others has 
become a way to protect oneself from the inflation of suffering. What can one 
do with the wretchedness that has come to define life across the planet? What 
can I do? What can you do?

In 2015, the Palestinian poet Dareen Tatour wrote Qawim ya sha’abi, qawimhum 
(Resist, My People, Resist Them), for which she was arrested and imprisoned by 
the Israeli state. A poem that can send you to prison is a powerful poem. A 
state threatened by a poem is an immoral state.

Resist, my people, resist them.
In Jerusalem, I dressed my wounds and breathed my sorrows to God.
I carried the soul in my palm
for an Arab Palestine.
I will not succumb to the ‘peaceful solution’,
never lower my flags
until I evict them from my homeland
and make them kneel for a time to come.
Resist, my people, resist them.
Resist the settler’s robbery
and follow the caravan of martyrs.
Shred the disgraceful constitution
that has imposed relentless humiliation
and stopped us from restoring our rights.
They burned blameless children;
As for Hadeel, they sniped her in public,
killed her in broad daylight.
Resist, my people, resist them.
Resist the colonialist’s onslaught.
Pay no mind to his agents among us
who shackle us with illusions of peace.
Do not fear the Merkava [Israeli army tanks];
the truth in your heart is stronger,
as long as you resist in a land
that has lived through raids and victory.
Ali called from his grave:
resist, my rebellious people,
write me as prose on the agarwood,
for you have become the answer to my remains.
Resist, my people, resist them.
Resist, my people, resist them.

‘Hadeel’ in the poem refers to Hadeel al-Hashlamoun (age 18), who was shot dead 
by an Israeli soldier on 22 September 2015. This murder took place alongside a 
wave of shootings – many fatal – against Palestinians by Israeli soldiers at 
checkpoints in the West Bank. On that day, Hadeel came to Checkpoint 56 on 
al-Shuhada Street in Hebron (Occupied Palestinian Territory). The metal 
detector beeped, and the soldiers told her to open her bag, which she did. 
Inside was a phone, a blue Pilot pen, a brown pencil case, and other personal 
belongings. A soldier yelled at her in Hebrew, which she did not understand. 
Thirty-four-year-old Fawaz Abu Aisheh, who was nearby, intervened and told her 
what was being said. More soldiers arrived and aimed their guns at both Hadeel 
and Fawaz. One soldier fired a warning shot and then shot Hadeel in the left 
leg.

At this point, a soldier, claiming he saw a knife, fired several shots into 
Hadeel’s chest, who was photographed standing still moments before. After being 
left on the ground for some time, she was taken to a hospital, where she died 
of blood loss and multi-system failure resulting from the gunshot wounds. Human 
rights organisations such as Amnesty International and B’Tselem said that the 
question of the knife was moot since Hadeel had been the subject of an 
‘extrajudicial execution’ (let alone the fact that testimonies about the knife 
were inconsistent). Tatour’s depiction of Hadeel’s execution in broad daylight 
is a powerful reminder of the waves of violence that structure the daily lives 
of Palestinians.

A month after Hadeel was killed, I met a group of teenagers in a refugee camp 
near Ramallah. They told me that they see no outlet for their frustrations and 
anger. What they do see is the daily humiliation of their families and friends 
by the Occupation, which drives them to desperation. ‘We have to do something’, 
Nabil says. His eyes are tired. He looks older than his teenage years. He has 
lost friends to Israeli violence. ‘We marched to Qalandiya last year in a 
peaceful protest’, Nabil tells me. ‘They fired at us. My friend died’. Colonial 
violence bears down on his spirit. Around him young children are executed with 
impunity by the Israeli military. Nabil’s body twitches with anxiety and fear.

I have thought about those teenagers often, especially over the last year, 
which has been defined by the escalation of the US-Israeli genocide against 
Palestinians. I think of them because of the barrage of stories about young 
people like Hadeel and Nabil’s friend being killed by Israeli troops not just 
in Gaza, but in the West Bank.

On 3 November 2024, fourteen-year-old Naji al-Baba from Halhul, north of 
Hebron, came home from school with his father Nidal Abdel Moti al-Baba. They 
ate molokhia, his favourite, for lunch, and then Naji told his father he was 
going to play football. Naji and his friends played next to his grandfather’s 
shop. Israeli soldiers arrived and shot at the boys, hitting Naji in the 
pelvis, foot, heart, and shoulder. After the funeral, Nasser Merib, the manager 
of the Halhul Sports Club, where Naji practised, said that he had a strong 
right foot. ‘He was ambitious and dreamed of becoming international like 
Ronaldo’. That dream was destroyed by the Israeli occupation.

The death of a young person is an unforgivable act. The death of a child is 
particularly hard to fathom. Naji could have captained the Palestinian football 
team. Hadeel could have become an extraordinary scientist. Their families look 
at the photographs that remain and weep. In Gaza, other families sit in tents 
with no way to remember their lost children, their bodies obliterated or 
missing and their pictures turned to ash in the rubble. So much death. So much 
inhumanity.

If time and struggle allow us, we will be able to properly awaken the dreams of 
humanity. But the night before dawn will be long and hard. We crave humanity, 
but we do not expect it to arrive easily. Small voices call out for a new 
world, and many feet march to build it. To get there will require putting an 
end to war and occupation and to the ugliness of capitalism and imperialism. We 
know that we live in pre-history, in the era before true human history will 
begin. How we long for that socialist world, where Naji and Hadeel will have a 
future before them and not just a brief interlude in our world.

Happy New Year. May it bring us closer to humanity.

Warmly,

Vijay Prashad



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