On Tue, Mar 12, 2024 at 04:57 PM, Mark Baugher wrote:

> 
> Are they the same people who complained that the makers of "Oppenheimer"
> completely ignored the Navajo, the first victims of the US atomic bomb?

I wouldn't know about that, but here is Walsh's review of Martin Scorsese’s 
Killers of the Flower Moon, about the murder, embezzlement, and other crimes 
against the Osage who were robbed of the great oil wealth discovered on their 
land in the 1920s.

https://www.wsws.org/en/articles/2023/10/27/rlrm-o27.html

Walsh has always admired Scorsese’s film artistry and says  "Scorsese deserves 
praise for bringing (the story) to the public’s attention. Moreover, the 
presence of numerous Native performers, men and women one generally does not 
see in American films or television, is entirely welcome.” In keeping with the 
SEP/WSWS anathema towards identity politics, he adds that  “it is not correct 
to argue, as some Native spokespeople have, that only a Native director should 
have taken on this assignment. Scorsese had every right to create the film."

His major concern with the film, however, as with all of Scorsese’s works, is 
"blaming historical crimes like this on 'all of us' and ‘explaining' events by 
the rottenness of human nature (which) doesn’t illuminate anything, it only 
obscures. Nothing is more changeable, more flexible than human 
psychology...Scorsese, "has all too often let the social order off the hook in 
this inexcusable manner."

Noting that Scorcese "once considered the priesthood as a vocation”, Walsh says 
he “prefers to see "violence as a part of fallen human nature, which both 
enthralls and disgusts him. Scorsese has a fixed, frozen view of life and human 
character that has not evolved or deepened in more than three decades of making 
films.””

This "generally misanthropic mood pervades Killers of the Flower Moon. While 
the Native characters are given a certain amount of dignity, the film implies 
that virtually every white person in Oklahoma at the time was a murderer, a 
thief or a racist. No doubt there were a good many of those, and the scent of 
oil money attracted some of the worst” but “if Oklahoma had its share of greedy 
cutthroats and villains, it also had more than its share of working class and 
small farmer radicalism,”  Walsh says,  referring to the mass support once 
enjoyed by the state's Socialist Party, the multi-racial 1917 Green Corn 
Rebellion, and the IWW, one of whose leaders was the martyred Frank Little, 
part-Cherokee and an Oklahoma native.

"Unfortunately, this history is a book sealed with seven seals for Scorsese. He 
has never treated history or society in a serious fashion, preferring to pry 
individuals out of their actual, concrete social circumstances. The results for 
decades have been accordingly weak."


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