Thanks to you both. I have it sorted now. Craig
On Fri, 13 Mar 2015 at 07:39 Jim Long <lilyp...@umpquanet.com> wrote: > We may be at cross purposes if you're creating score-oriented > music. I generally create lead sheets. But no matter. > > I can understand your question, but will you eventually be > generating single parts from your score? Would you not then > WANT to have the D.C. included in every part? \global helps > you there, compared to having to manually insert the D.C. > markup into each instrument part when you go to produce > individual parts. > > If Harm's solution works for you, that's what I would use. > However, I would still recommend putting all rehearsal marks > (including the D.C.) into the global music variable, so that both > your full score and your individual parts will have identical > rehearsal marks. > > Jim > > > On Thu, Mar 12, 2015 at 08:37:13PM +0000, Craig Dabelstein wrote: > > Hi Jim, > > > > When I put in the "Da Capo" as a text markup in the global section, it > ends > > up appearing on every staff, rather than just the bottom one, whereas > when > > it is in as a rehearsal mark it only appears once like it should. > > > > How do you overcome this? See attached file. > > > > Craig > > > > > > On Fri, 13 Mar 2015 at 06:25 Craig Dabelstein < > craig.dabelst...@gmail.com> > > wrote: > > > > > Hi Jim, > > > > > > Thanks for your quick response. I'll look into your solution now. > > > > > > Craig > > > > > > > > > > > > > > > On Fri, 13 Mar 2015 at 06:23 Jim Long <lilyp...@umpquanet.com> wrote: > > > > > >> Hi, Craig. > > >> > > >> Just for a different perspective, I always put form-related marks > > >> like D.C., D.S., Segnos, Codas, Fines, etc. in the global section. > > >> Since they (almost always) need to be in the same location for all > > >> parts, it makes the most sense to me to put them there once, and > > >> then use the \global variable in each part to make sure that all > > >> parts are consistent. > > >> > > >> That said, I'm attaching a diff to your original file that shows > > >> how I would do what you're trying to accomplish. I, too, have > > >> seen that \marks will sometimes distort the musical spacing, but > > >> except for lots of fiddling with X-extents and offsets, I don't > > >> know how to do anything about it. > > >> > > >> My approach uses TextScript markup objects instead of RehearsalMark > > >> objects. I hope it will give you some ideas about alternative > > >> solutions to your problem. > > >> > > >> Jim > > >> > > >> > > >> > > >> On Thu, Mar 12, 2015 at 07:35:44PM +0000, Craig Dabelstein wrote: > > >> > Hi Lilyponders, > > >> > > > >> > Has anyone run into this before. > > >> > > > >> > When including a "Da Capo" markup at the end of a file, if it sits > above > > >> > the staff it is fine, but when I uncomment the "\tweak direction > #DOWN" > > >> > command it moves the marking below the staff but adds a heap of > extra > > >> > space. Please see the attached file. > > >> > > > >> > This has been driving me crazy. I'm sure there is a simple fix that > I've > > >> > overlooked. > > >> > > > >> > Craig > > >> > > > >> > > > >> > > > >> > *Craig Dabelstein* > > >> > e:craig.dabelst...@gmail.com > > >> > <http://www.facebook.com/craig.dabelstein> > > >> > <http://au.linkedin.com/pub/craig-dabelstein/b2/5b8/389/en> > > >> > > >> > > >> > _______________________________________________ > > >> > lilypond-user mailing list > > >> > lilypond-user@gnu.org > > >> > https://lists.gnu.org/mailman/listinfo/lilypond-user > > >> > > >> > > >
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