Another advantage to this is that I don't have to tag a "printed" and
"played" version.


Knute Snortum
(via Gmail)

On Tue, Feb 3, 2015 at 1:07 PM, Kevin Barry <barr...@gmail.com> wrote:

> OK I found a much simpler and slightly less hackish way to do it: just add
> \once \override Stem.X-offset = #1.25
> before the C sharp and that should keep the stem correctly positioned even
> if other things change.
>
> On Tue, Feb 3, 2015 at 7:42 PM, Kevin Barry <barr...@gmail.com> wrote:
>
>>
>> On Tue, Feb 3, 2015 at 6:42 PM, Knute Snortum <ksnor...@gmail.com> wrote:
>>
>>> That's quite astounding to me.  Okay, so you fake a d to get the note
>>> head on the other side of the stem.  Then in the lower voice you fake
>>> another d, make it transparent, and shift it right a bit.  Have I got it?
>>
>>
>> Yes that's correct (the shift is to the left though, not the right),
>> which is why I described it as a hackish solution. Ideally you would move
>> the stem to the other side of the notehead, and I tried doing that (with
>> \override Stem.direction = #1) but I don't know enough about the internals
>> to make it work (apparently there is a side-axis property somewhere that I
>> could change, but I couldn't figure it out). Perhaps someone else does.
>> Lilypond has a way of figuring out which side to place the stem on and you
>> just need to get at that and change it.
>>
>
>
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