Another advantage to this is that I don't have to tag a "printed" and "played" version.
Knute Snortum (via Gmail) On Tue, Feb 3, 2015 at 1:07 PM, Kevin Barry <barr...@gmail.com> wrote: > OK I found a much simpler and slightly less hackish way to do it: just add > \once \override Stem.X-offset = #1.25 > before the C sharp and that should keep the stem correctly positioned even > if other things change. > > On Tue, Feb 3, 2015 at 7:42 PM, Kevin Barry <barr...@gmail.com> wrote: > >> >> On Tue, Feb 3, 2015 at 6:42 PM, Knute Snortum <ksnor...@gmail.com> wrote: >> >>> That's quite astounding to me. Okay, so you fake a d to get the note >>> head on the other side of the stem. Then in the lower voice you fake >>> another d, make it transparent, and shift it right a bit. Have I got it? >> >> >> Yes that's correct (the shift is to the left though, not the right), >> which is why I described it as a hackish solution. Ideally you would move >> the stem to the other side of the notehead, and I tried doing that (with >> \override Stem.direction = #1) but I don't know enough about the internals >> to make it work (apparently there is a side-axis property somewhere that I >> could change, but I couldn't figure it out). Perhaps someone else does. >> Lilypond has a way of figuring out which side to place the stem on and you >> just need to get at that and change it. >> > >
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