thanks for the quick solution. I've adapted the example of Pierre, to a score without the use of contexts and omitted assigning a voice to the 'voiceTwo' part. That made it possible for the 'mergeDifferentlyHeadedOn' to show the half-note. Using contexts lilypond threw an error when not assigning that voice.
I don't know if it's good practice, but it works... thanks again :-) grtz, Bart http://www.bartart3d.be/ On facebook <https://www.facebook.com/pages/BartArt3D/169488999795102> On Twitter <https://twitter.com/#%21/Bart_Issimo> On Identi.ca <http://identi.ca/bartart3d> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> 2015-01-26 13:27 GMT+01:00 Brian Barker <b.m.bar...@btinternet.com>: > At 12:55 26/01/2015 +0100, you wrote: > >> I'm typesetting something from Heinrich Albert and one exercise has three >> voices. To avoid collisions, they switch the direction of the stems within >> one voice and I haven't found how to achieve it. >> > > The voices have their own stem directions, of course. You can disable this > and allow stems to go either way with \stemNeutral - but that probably > won't help you here. Otherwise you can use \stemDown and \stemUp directly. > Will those work for you? > > Brian Barker - privately >
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