Hello, For me, it *is* the most logical way (I sometime use it in a single piece, when transposition leads to overcomplicated tonality).
But you could try to play with tags; I don't use them, but I think it's a solution to call only a portion of a variable. http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source#using-tags Philippe > Le 1 nov. 2014 à 04:16, Jon Arnold <jonarnoldsem...@gmail.com> a écrit : > > Hi - > > I think I have a unique scenario and am trying to figure out the best way > to move forward. > > I am working on an edition of Bach's Jesu Meine Freude, and will be doing > at least three different editions: > > 1) choral scores of individual mvts > 2) book of choral scores > 3) book of string parts which double voices (soprano=vln, tenor=vla, etc.) > > I have each movement in a file (jesu1.ly, jesu2.ly) and have the staff > layout stored in a variable so that I can call it on the individual > movement and the book without getting voice variables confused between > movements. > > So, my book file looks like this: > > \include "jesu1.ly" > \include "jesu2.ly" > > \book { > \score { > \jesuOneScore > \header { piece = "Mvt. I" } > \layout { } > } > %etc. etc. > > The problem is the instrumental parts. How can I call one voice from one > particular file? I tried putting the \include command in each bookpart, but > that tries to pull the whole score for some reason. > > The only solution that I can think of is to name each voice and lyric > variable with a movement (sopranoNotesOne, sopranoLyricsOne), but I'm > hoping there is a more logical solution. > > Thanks so much for any help! > > Jon > > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
