Hello, I think it's best practice to use curly braces around the differing parts, and place the common ending centered between the outermost stanzas. However, I must consider it a desideratum for lilypond to provide an interface for this. It is a major task to fit this into the current architecture, though, and I couldn't think about a solution yet. It would probably involve entering all stanzas in one compound expression somehow. In the meantime: If you have an odd number of stanzas, it's simple to just put the common part after the middle stanza. If unfortunately the number is even :-), perhaps put it after the first stanza and insert something like Firstsyllabeofrefrain... in the other stanzas? Or did anyone come up with a brilliant solution already, which I hitherto failed to notice?
Yours, Simon Am 28-Sep-2014 16:27:15 +0200 schrieb vincenzo.a...@gmail.com: I found a score where there are three lines of lyrics (1,2, 3) and then, after beat 7, there is just ONE (common) line of a common lyrics. like the example below: lyrics for first stanza | lyrics for second stanza | lyrics for third stanza | common ending lyrics for fourth stanza | I've searched on Beyond bars but found nothing about a "RULE" to follow in these situations. What could be done? Is it acceptable to put the "common ending" on the first stanza? Or should the "common ending" be put at the heigt of the sond, or third stanza? Or there MUST be a curly bracket? Beyond bars (2011 ed) doesn't say nothing. Thanks. -- View this message in context: http://lilypond.1069038.n5.nabble.com/About-a-RULE-I-hadn-t-found-in-the-Bible-Beyond-bars-tp166910.html Sent from the User mailing list archive at Nabble.com. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
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