On Thu, Sep 4, 2014 at 11:23 AM, Jacques Menu <imj-...@bluewin.ch>
wrote:
Hello folks,
I’d like to obtain the tie between the cis’s in beat 1 and 2 in
the attached, from a version of BWV 508 (3/4).
The best I could find is:
%%%%%%%%%
\version "2.18.2"
{
\clef "treble" \key b \major \time 3/4
…
\tieDown
<cis ~ ais fis>4 )
<<
{fis8 --}
{\hideNotes cis8 \unHideNotes}
>>
fis8 ( [ ais fis ] |
}
%%%%%%%%%
Problem: \hideNotes applies to fis8 too, leading to the following, in
which the tie applies to ais’s and not cis’s by the way:
Thanks for your help!
JM
--
Jacques Menu
Ch. de la Pierre 12
1023 Crissier
mailto:imj-...@bluewin.ch
Jacques,
You are really close. The way that I do it is to use explicit parallel
voices like this:
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.18.2"
pianoRH = \relative c {
\clef treble
\key b \major
\time 3/4
\new Voice {
\voiceOne
<<
{
<fis ais cis>4 fis'8\noBeam fis ais fis
}
\new Voice {
\voiceTwo
\once \hideNotes <fis, ais cis ~ >4 <ais cis>4 q
}
>>
}
}
{ \pianoRH }
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
I have yet to run into a problem with this approach. Actually, this
kind of syntax solves a lot of other problems, too.
HTH,
Abraham
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