On 09/02/2014 12:36 PM, Malte Meyn wrote:
I think this is not a matter of engraving rules but you should follow
the composer. (If I was the composer I would prefer a version with a
full measure beginning with a rest in this case. But I’m not Albert
Becker.) I’ve seen both versions in different pieces from different
composers.
Also, your version 1 is wrong. Soprano and Tenor must have r4 r2; I’m
pretty sure that one never writes full measure rests in a partial measure.
Good catch, and actually the part of the question I forgot to ask...
But I guess I like your assessment that the proper notation should
primarily depend on the musical or "upbeat" character as you stated in
your second mail:
The first beat of measures 6 and 40 is not the ending of the phrase
before, but the beginning of a new one (phrases end in 5 and 39). So
in my opinion this measure “Bleibe” doesn’t have an “upbeat
character”.
Thanks,
Alexander
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