In my copy of Dvorak 8 the parts use a2 for isolated unison passages and double stems for passages where the voices are also split at some point.
On Aug 7, 2014, at 8:49 AM, Urs Liska <u...@openlilylib.org> wrote: > Hi folks, > > I have a large romantic score in front of me. In the handwritten score the > \partcombine stuff is done inconsistently for unisono sections: sometimes > it's written as one voice with "à 2", sometimes as two voices, i.e. one > notehead with stems up and down. So far I can't see any reason for this > inconsistency. > > What would people with more experience with orchestral scores suggest: > > - transcribe everything as it is in the model? > - make it consistent: > - use "à 2" always? > - use voices always? > > Best > Urs > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
