On 15. Juni 2014 08:50:19 MESZ, Server Acim <ser...@acim.name.tr> wrote:
>Thank you for your answers. I found functional-harmony page and I
>viewed
>the code.
>
>But the problem is now, how to merge functional-harmony letters and
>figured bass symbols.
>
>We have to explain the altering sounds on IVth (Subdominant chord)
>degree. So I have to use letters and figured bass symbols together.
>
>When I try to merge, an additional staff is being added within the
>figured bass symols.
>
>I am sending to LilyPond files and compiled PDF files.
>
>I need help please. Thank you.
>
I can't immediately help you, but I think a proper solution should not mix
letters and figured bass numbers.
If I see correctly you intend harmonic analysis only.
So the approach would rather be to somehow stack numbers and letters from text
fonts. This would also allow for a more coherent appearance.
How urgent is this for you? Do you need _some_ solution immediately or could
you spend some time helping with a proper solution until your book is ready?
I'd be very interested in such a package too.
Best
Urs
>On 06/14/2014 08:47 PM, Malte Meyn wrote:
>> Hello,
>>
>> you can try to use either the letter D with stroke (Đ, U+0110) or, if
>> you want a longer an diagonal stroke, a regular D and a combining
>long
>> solidus overlay from unicode (D̸, U+0044 U+0337):
>>
>> \version "2.19.6"
>>
>> \relative c' {
>> \repeat unfold 8 { <c e g> <c f a> <d f b> <e g c> }
>> }
>> \addlyrics {
>> T S Đ⁷ T
>> T S D̸⁷ T
>> T S \markup\concat{\char##x110 \char##x2077 } T
>> T S \markup\concat{D \char##x337 \char##x2077 } T
>> T S \markup\concat{\char##x110 \super 7} T
>> T S \markup\concat{D \char##x337 \super 7} T
>> T S \markup\concat{Đ \super 7} T
>> T S \markup\concat{D̸ \super 7} T
>> }
>>
>> The first two bars show the unicode characters in the source code,
>the
>> last two use LilyPond’s \char command (an optically not satisfying
>> solution for the overlay IMO).
>>
>> I have seen both versions of the stroke (the short horizontal one and
>> the long diagonal one), use the one you prefer ;)
>>
>> Malte
>>
>> P.S. \char##x2077 is the superscript 7 (⁷), so you don’t need
>LilyPond’s
>> superscript command if you don’t like it (the placement and font of
>the
>> superscript is different).
>>
>> On 14.06.2014 17:31, Server Acim wrote:
>>> Hello,
>>> I am writing an Harmony book with my friend. I want to use
>"Diminished
>>> Dominant" symbol in figured bass below the note. It has to mark
>>> "diminished fifth" interval with a cross line on "D" letter.
>>>
>>> In our country, some music teachers had gotten their education in
>>> Germany in 1930'ies. They learned "German Harmonie Schule" terms and
>>> they taught their students in the same way. So we are still using
>these
>>> terms.
>>>
>>> So I need this detail. Do you have any idea?
>>>
>>> Thank you.
>>>
>>>
>>> _______________________________________________
>>> lilypond-user mailing list
>>> lilypond-user@gnu.org
>>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>>>
>>
>> _______________________________________________
>> lilypond-user mailing list
>> lilypond-user@gnu.org
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