On Tue, 2014-05-06 at 23:40 +0200, Simon Albrecht wrote: > Am 06.05.2014 21:18, schrieb Richard Shann: > > On Wed, 2014-05-07 at 00:11 +1000, Andrew Bernard wrote: > >> If you are engraving coulés I wager you are going to need pincé and > >> all the usual suspects as well! > > Yes, I don't know whether using mordents etc will be sufficient for this > > job, or whether new glyphs will be needed. Has LilyPond used for > > typesetting the French clavecinistes does anyone know? I didn't manage > > to track down the list of glyphs available (it's in the documentation > > somewhere) but I don't think they include the various 18th c ornaments. > > > > Richard > > > Nicolas Sceaux wrote a series of posts on lilypondblog.org on this subject: > http://lilypondblog.org/2013/08/adding-ornamentations-to-note-heads-part-1/ > % and parts 2/3
Ah, thanks, I missed that at the time. I now receive these as they come in. This series of posts covers ornaments that are placed to left or right of a notehead. The score I am working with has a form called pincé which is rather different: it looks like a hand-written mordent (see attached image). I have used code of the form trill = #(make-articulation "stopped") to replace - in that case - trill signs with "+" signs. I wonder if the same sort of syntax could be used to replace, mordent, say with some customized bit of drawing to look like the desired pincé-simple? That is replace "stopped" in this example with something else that would give the desired effect? Richard > > HTH, Simon
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