>> I also used to be managing editor of a music publisher in the days when
engraving was done with a re-built Olympia typewriter and hand-drawn slurs.

>I would like to nominate this as the single most insane sentence to be
posted
on this mailing list all week. Perhaps all month.

@James: If you are questioning the sanity of producing music this way (due
to its difficulty), consider the only alternative at that time: hand
engraving every mark on the music page on a copper plate with awl, hammer
and symbols cast on the ends of metal punches! Believe me, this was a step
up, and my wife and children had no doubt of my sanity when the paycheck
arrived! :-)

>Music engraving with a typewriter? Does anyone have a photo of this? I'm
really intrigued!

@Ryan: Sorry, the only pictures of this process I possess are memories at
this point in time. We were too busy producing the music to get out a
camera and develop the film!

Best Wishes Everyone!
Mark


On Fri, Apr 18, 2014 at 1:06 PM, Shane Brandes <sh...@grayskies.net> wrote:

> Have you looked at the Anna Magdalena copy? The phrasing is different.
>
> On Fri, Apr 18, 2014 at 12:55 PM, Tim Reeves <tim.ree...@tokamerica.com>
> wrote:
> > Ryan,
> >
> > I'm not sure there's any way around that since each measure is so long
> and
> > you can't break them across lines...
> >
> > Personally, I like the second one (ten staves, ten staves) better than
> the
> > nine/eleven version but that might just be me...
> >
> >
> >
> > Tim
> >
> >
> > Ryan McClure <ryanmichaelmccl...@gmail.com> wrote on 04/17/2014
> 07:33:03 PM:
> >
> >> From: Ryan McClure <ryanmichaelmccl...@gmail.com>
> >> To: lilypond-user@gnu.org,
> >> Cc: Tim Reeves <tim.ree...@tokamerica.com>
> >> Date: 04/17/2014 07:33 PM
> >> Subject: Re: Bach Cello Suite for Bassoon...Typed in LilyPond!!!
> >>
> >> Hey Tim,
> >>
> >> Here is an updated version where I did 10 on each page. Look at the
> >> penultimate line on the last page...it seems like no matter how I do
> >> it, I always get some sort of crammed measures. Any ideas?
> >>
> >> -Ryan
> >> -----Original Message-----
> >> From: Tim Reeves <tim.ree...@tokamerica.com>
> >> To: lilypond-user@gnu.org, ryanmichaelmccl...@gmail.com
> >> Subject: Re: Bach Cello Suite for Bassoon...Typed in LilyPond!!!
> >> Date: Thursday, 17 April 2014, 19:20:37
> >>
> >> >>
> >> >> Message: 4
> >> >> Date: Thu, 17 Apr 2014 22:00:27 -0400
> >> >> From: Ryan McClure <ryanmichaelmccl...@gmail.com>
> >> >> To: lilypond-user@gnu.org
> >> >> Subject: Bach Cello Suite for Bassoon...Typed in LilyPond!!!
> >> >> Message-ID: <20140417220027.5926af75@RyansLinuxBox>
> >> >> Content-Type: text/plain; charset="us-ascii"
> >> >>
> >> >> Hello all!
> >> >>
> >> >> I'm currently arranging the Bach Cello Suites for Bassoon. I'm
> >> >> arranging them to be more playable on the bassoon (breathing,
> >> >> articulations, etc.) with the help of my private teacher. Attached
> >> >> is the Praeludium of the first suite--How does it look? I want to
> >> >> make this the best edition that I can.
> >> >>
> >> >> Ryan McClure
> >> >> ryanmichaelmccl...@gmail.com
> >> >> Music Education Major, Shepherd University
> >> >> Luna Music Engraving
> >> >> -------------- next part --------------
> >> >> A non-text attachment was scrubbed...
> >> >> Name: Suite1.pdf
> >> >> Type: application/pdf
> >> >> Size: 108858 bytes
> >> >
> >> >
> >> >Did you try it with ten systems on both pages, instead of nine on the
> >> >first page, eleven on the second page? Might look more even. Just a
> >> >thought.
> >> >
> >> >I really like the cover page.
> >> >
> >> >I play the Bach Cello Suites frequently at home, transcribed for horn
> (by
> >> >Wendell Hoss), so I can appreciate what you're doing.
> >> >
> >> >Tim[attachment "Suite1.pdf" deleted by Tim Reeves/OAI]
> > _______________________________________________
> > lilypond-user mailing list
> > lilypond-user@gnu.org
> > https://lists.gnu.org/mailman/listinfo/lilypond-user
> >
>
> _______________________________________________
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> lilypond-user@gnu.org
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