On 03/31/2014 05:54 AM, Nick Payne wrote:
On 31/03/14 10:56, Daniel Rosen wrote:
Consider the example below:
\version "2.19.3"
\new Staff <<
\new Voice \relative c'' { \voiceOne c4~ <c d, c> }
\new Voice \relative c' { \voiceTwo <c d>8 q
>>
How can I tie the lower voice's <c d> to the upper voice's <c d, c>?
You could use a third hidden voice:
\version "2.19.3"
transOn = {
\override NoteColumn.ignore-collision = ##t
\override NoteHead.no-ledgers = ##t
\hide NoteHead
\hide Stem
\hide Flag
\hide Beam
\hide Dots
\hide Accidental
\hide TupletBracket
\hide TupletNumber
}
transOff = {
\revert NoteColumn.ignore-collision
\revert NoteHead.no-ledgers
\revert NoteHead.transparent
\revert Stem.transparent
\revert Beam.transparent
\revert Flag.transparent
\revert Dots.transparent
\revert Accidental.transparent
\revert TupletBracket.transparent
\revert TupletNumber.transparent
}
\new Staff <<
\new Voice \relative c'' { \voiceOne c4~ <c d, c> }
\new Voice \relative c' { \voiceTwo <c d>8 q }
\new Voice \relative c' { \voiceThree \transOn s8 <c_~ d^~> q }
>>
I use \hideNotes \unHideNotes in this case. Why is \transOn \transOff
better?
Rutger
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