On Mon, 2014-03-24 at 12:38 +0100, Thomas Scharkowski wrote:
>
> > ..
> Hi Fredrik,
> >
> > if I understand you correctly, you want the two voices to share a
> > notehead -- even when they are not simultaneous? Interesting.
>
> Yes, it is.
> :-)
>
> It was common notation practice in italian baroque style, not to
> notate
> a tuplet consisting of a quarter and an eighth note like we would do
> today: \tuplet 3/2 {c4 c8} - instead "c8. c16" is often used, even
> when
> \tuplet 3/2 {c8 c c} is in other voices.
An example of this, typeset using LilyPond is posted here:
http://imslp.org/wiki/Special:ImagefromIndex/278632
To do this I set tuplet timing around the entire bass part and used
doubled time signatures (one hidden IIRC)
Richard
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