Hi, > Hi. Not sure if you have seen my earlier posts
Sorry… yeah, I missed those. > I don't have my \tempo and \mark items in a global variable. I do recommend using a global variable in the future. > I wrote the quartet part (starting at > approx. bar 70) in a separate file, making proofreading and finetuning a lot > quicker than the combined score. You can still proofread and fine-tune the separate quartet part, just as quickly, with a global variable. > In the first part of the score (bars 1-70) > the \time, \tempo and \key changes are defined in the main choir part, since > the quartet is doing nothing. In the latter part, the \time and \tempo > changes are defined in the quartet file, as this is the dominant part from > bar 70. Having just engraved 25 minutes of large forces music for voices and instruments (57 staves, for ~330 performers!), I **HIGHLY** recommend you avoid doing things like that in future scores. > If there is a simple way of "blanking" all music from a voice, effectively > replacing all content with full bar rests (while obeying the time signature > in each bar), that could be a useful approach in my case. There are recent threads about this sort of thing — search the list archives. Hope this helps! Kieren. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
