There is always more than one way to skin the cat I use something like
The file mozza4.eps is a graphic use a batch file
for %%F in (*.png) do sam2p.exe %%F %%~nF.eps
for %%F in (*.jpg) do sam2p.exe %%F %%~nF.eps
To convert to eps
I forget where I found sam2p.exe but it should be in the Lilypond archives
somewhere
% ----------------------------------------
% K388 Serenade Clarinet 1
% ---------------------------------------
\version "2.16.0"
#(set-global-staff-size 20)
%--------------------------------------------------------------------
% variables for later use to avoid repititions
%---------------------------------------------------------------------
date = #(strftime "%d-%m-%Y" (localtime (current-time)))
xtitle = "Serenade No. 12 K388"
xsubtitle = "arranged as Wind Quintet "
xChristian = "Wolfgang Amadeus"
xSurname = "Mozart"
xdates = "(1756-1791)"
xpart = "Clarinet 1"
xinstrument = "Clt1"
xmidiInstrument = "clarinet"
xgraphic="./mozza4.eps"
xstamp = \markup{\concat { "Engraved " \bold \date " with " \with-url
#"http://lilypond.org/"; "LilyPond " \simple
#(lilypond-version) " (http://lilypond.org/)" } }
%-----------------------------------------------------------------------------------
% variable to control minimum ledger space after pageturn shrinkage
%-----------------------------------------------------------------------------------
ledgers = \override Staff.LedgerLineSpanner #'minimum-length-fraction = #0.5
% ---------------------------------------
% define staffinstrument
% --------------------------------------
staffinstrument = \new Staff {
\set Staff.instrumentName = \xinstrument
\set Staff.midiInstrument = \xmidiInstrument
}
% ------------------------------------------------------------------------
% header for the first page only
%--------------------------------------------------------------------------
\header {
mycustomtext= \markup {
\fill-line {
\column {
\center-align {
\xstamp
" "
\fontsize #-1 "Original
IMSLP90054-PMLP40436-Mozart_K388_NMA_score.pdf"
\fontsize #-1 "Finale version
Copyright@2002 Oliver Seeley and assigned to public domain" }
}
}
}
}
% -----------------------------------------------------------
% set the paper layout for binding
% footer has title and page number
% -----------------------------------------------------------
\paper {
two-sided = ##t
top-margin = 10\mm
bottom-margin = 10\mm
inner-margin = 20 \mm
outer-margin = 20 \mm
binding-offset = 5 \mm
first-page-number = #1
blank-after-score-page-force = #10
page-breaking = #ly:page-turn-breaking
ragged-bottom = ##t
indent = 20\mm
print-page-number = ##t
print-first-page-number = ##f
oddHeaderMarkup = \markup \null
evenHeaderMarkup = \markup \null
oddFooterMarkup = \markup {
\fill-line {
\fontsize #2 \fromproperty
#'header:mycustomtext
\on-the-fly
#print-page-number-check-first
\fontsize #2
\fromproperty #'page:page-number-string
} % end of fill
line
} % end of markup
block
evenFooterMarkup = \oddFooterMarkup
} % end of paper block
% -----------------------------------------------------------
% typeset the movements in a book
% -----------------------------------------------------------
\book{
% -----------------------------------------------------------
% Frontispiece block - note use of variables
% -----------------------------------------------------------
\markup {
\fill-line {
\column {
\center-align {
\vspace #2 \fontsize #10 \concat { \xChristian "
" \xSurname }
\vspace #1 \fontsize #6 \xdates
\vspace #1 \fontsize #10 \xtitle
\vspace #1 \fontsize #5 \xsubtitle
\vspace #1 \fontsize #5 \italic
"(Nacht-Musique)"
\vspace #1 \fontsize #2 "originally scored for 2
oboes 2 clarinets 2 F Horns and 2 Bassoons"
\vspace #1 \general-align #Y #DOWN { \epsfile #Y
#40 #"./mozza4.eps" }
\vspace #1 \fontsize #4 \xpart
}
}
}
}
\markup{\vspace #1 \fontsize #-2 \justify-string #"Wolfgang Amadeus Mozart
composed over 600 works, many acknowledged as pinnacles
of symphonic, concertante, chamber, operatic, and choral music. He is among the
most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg.
Already competent on keyboard and violin, he composed from
the age of five and performed before European royalty. At 17, he was engaged as
a court musician in Salzburg, but grew restless and
travelled in search of a better position, always composing abundantly. While
visiting Vienna in 1781, he was dismissed from his
Salzburg position. He chose to stay in the capital, where he achieved fame but
little financial security.
Mozart learned voraciously from others, and developed a brilliance and maturity
of style that encompassed the light and graceful
along with the dark and passionate. His influence on subsequent Western art
music is profound. Beethoven composed his own early
works in the shadow of Mozart, and Joseph Haydn wrote that posterity will not
see such a talent again in 100 years."
}
The following movements are contained within Bookparts.
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