Hi Peter, thanks for showing the solution. Indeed, my mistake I should have written bm/F#.
I'm a little confused now. I'm so much used to the system used with '\addChordShape' and '\StorePredefinedDiagram' in the predefined fretboard diagrams, that I didn't recognise your code. I just found the way you do it in the notation reference, thanks to your hint. I'll dig into it. I kept searching in the predefined diagrams and missed chapter 2.4.1 in the reference using markup. It is amazing, I've written so much in lilypond for myself and I keep finding new things and other ways to write it down. It's a good thing of course, but sometimes a bit confusing and a lot of searching.. lol. Again, thanks for the help. Greets, Bart http://www.bartart3d.be/ On facebook <https://www.facebook.com/pages/BartArt3D/169488999795102> On Twitter <https://twitter.com/#%21/Bart_Issimo> On Identi.ca <http://identi.ca/bartart3d> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> 2013/9/20 Peter Bjuhr <peterbj...@gmail.com> > > On 09/20/2013 11:20 AM, bart deruyter wrote: > > I've got here a Bm/F chord that I'd like to show as simply taking the > barré-chord Bm and starting from the d-string instead of the a-string.So > the lowest sounding b-note has to be shown as muted in the fret diagram > while still showing that the index finger spans onto that muted string > > > To show what I want to achieve I've added a little drawing :-) > > > Hi Bart! > > Maybe I missed the real issue here, but isn't this what you were sketching? > > \version "2.17.26" > > > << > > \context ChordNames { > > \chordmode { > > b1:m/fis > > } > > } > > \context Staff { > > \clef "treble_8" > > < fis b d' fis'>1 ^\markup > > \fret-diagram #"c:5-1-2;6-x;5-x;4-4;3-4;2-3;1-2;" > > } > > >> > > > Best > Peter > > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > >
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