David Kastrup <d...@gnu.org> writes:
> Kieren MacMillan <kieren_macmil...@sympatico.ca> writes:
>
>> Hi all,
>>
>>> What Kieren mentioned is new to me too and I would be curious see,
>> how one can use these commands in a context You've mentioned.
>>
>> The idea is as seen in the snippet, below, where certain music is
>> added "at the coda", using tags.
>> Unfortunately, it doesn't seem to work.
>> David K: What do I need to change in this snippet to get it to work as
>> expected?
>
> Quoting the manual:
>
> Sometimes you want to splice some music at a particular place in an
> existing music expression. You can use `\pushToTag' and `\appendToTag'
> for adding material at the front or end of the `elements' of an
> existing music construct. Not every music construct has `elements',
> but sequential and simultaneous music are safe bets:
>
>> global = {
>> \tag #'intro
>> \time 4/4 s1*3
>> \time 3/4 s4*3
>> \tag #'verse
>> \time 5/4 s4*5*12
>> \tag #'bridge
>> s4*5
>> \time 4/4 s1
>> \tag #'coda
>> \time 2/2 s1*9
>> \bar "|."
>> }
>
> But you don't tag sequential or simultaneous music here, but rather
> \time statements.
>
> Writing \tag #'code << \time 2/2 >>
> is likely what you intend here.
Actually, more likely \tag #'coda << { \time 2/2 s1*9 } >> so that
additional material will sit in parallel with the s1*9.
--
David Kastrup
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
