Thanks Keith - this works brilliantly. Occasionally the part combiner will
duplicate dynamics even though they are identical, so once in a while I have to
force a 'partcombineChords' or 'partcombineUnisono' as necessary, but this is a
small price to pay. Thanks again.
On 15 Aug 2013, at 06:11, Keith OHara [via Lilypond]
<ml-node+s1069038n149196...@n5.nabble.com> wrote:
> Dominic <dominicirving <at> gmail.com> writes:
>
> > My goal is to produce an orchestral score which both
> > - uses *\partcombine*
> > - has dynamics separately defined
>
> To make this go smoothly, you will probably need to keep in mind how
> \partcombine works. \partcombine takes two music expressions and routes
> each note into one of four Voices (depending on whether the players are
> in unison, making chords, or soloI or soloII) and the system is a bit
> fragile. If you manage the voices in the expressions that go into
> \partcombine, that can confuse the system.
>
> If you include the dynamics in the music for each player as it goes into
> \partcombine, it will merge the dynamics and keep them attached to the
> voice that is printing the notes so they are aligned to the notes.
>
> dd = {s4\p\< s s s\f s1 \bar "|."}
> aa = <<
> \dd
> {e4 f g a b\mf c' d' e'} >>
> bb = <<
> \dd
> {c4 d e f } >>
> \new Staff { \transpose c c' \partcombine \aa \bb }
>
>
>
>
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