Hello,
I'm having a bit of a problem that seems like it could be resolved by
nesting \absolute, but I'm not sure if 2.16 supports it (sure doesn't
seem to, from my tests). I see its in the docs for 2.17, but I was
wondering if there was an alternative in 2.16.2 . Here is what I'm
trying to do.
I've got a bass line that I'm reusing with different arpeggios, but when
placed with certain arpeggios, it seems to be deriving its pitch from
the previous note (which happens to be in the other voice, which is
throwing everything off).
Also, this are two of a series of right hand studies for classical
guitar. I'd like to keep it structured this way so that I can comment on
individual exercises.
Thanks,
Kale
\version "2.16.2"
rh = #rightHandFinger
basslineOne = { \set strokeFingerOrientations = #'(down) { c,4\rh #1 e
g c, | b d g b,} }
melody =
\relative c''
{
% exercise 1
<<
\scaleDurations #'(2 . 3) { \set strokeFingerOrientations =
#'(up) {c,8 c'\rh #2 e\rh #3 } {e, c' e} {g, c e} {c, c' e} {b, d'
f} {d, d' f} {g, d' f} {b,, d' f} }
\\
{\basslineOne}
>>
% exercise 2
<<
\scaleDurations #'(2 . 3) { \set strokeFingerOrientations =
#'(up) {c g'\rh #3 e\rh #2 } {e c' g } {g e' c } {c, e' c } {b, g' d
} {d d' g, } {g f' d } {b, f' d } }
\\
{ \transpose c c' {\basslineOne } }
>>
}
\score
{
\melody
\layout
{
}
}
\paper {
}
--
Kale Good: Guitar Instructor
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k...@kalegood.com <mailto:k...@kalegood.com>
phone: (215)260-5383
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