On Mar 29, 2013 7:19 PM, "Phil Holmes" <m...@philholmes.net> wrote: >> In this minimal example, it could be argued that the visible >> cancellation makes sense. In my actual score, it doesn't: the E-flat >> is early in the system, and the E-nat. is quite a bit later, with many >> notes and three barlines intervening (see attached screenshot). The >> cancellation is superfluous there, but I can't get rid of it (not even >> with "\set Staff.extraNatural = ##f"). >> > There was lots of discussion about this earlier: > > http://lilypond.1069038.n5.nabble.com/unexpected-accidental-following-cadenza-td62209.html > > http://lilypond.1069038.n5.nabble.com/cadenzaOff-and-accidentals-td9420.html > > I'm not sure of the cure - perhaps temporarily removing the accidental engraver or somesuch?
Ok, my manually painted \bar lines have no effect on accidentals (either by design, or as a side effect of a design that has other good reasons to be as it is). I've just looked through the manual a bit, and it leads me to doubt whether it's possible to remove an engraver for a single note. I see that it's possible to do for a single context, e.g. Staff, but I do want accidentals elsewhere in the bassoon part. It's not a big deal, just a little detail that surprised me. hjh
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