On 7 Feb 2013, at 23:33 , Joseph Rushton Wakeling wrote:
The regular one doesn't, the full-Boehm instrument does. See e.g.
this example:
http://www.clarinetsdirect.biz/RC-F279670.html
But that also has the low-ees, because it still is a "soprano" it
sounds higher then the low-ees in the bass-clarinet. The key lay-out
is similar as the basset-clarinet (which is in A, not B flat).
Confusing all this is .......
No, I don't mean "how" as in how does one request the override, I
mean, what is your spec for what should appear?
I.m.h.o. what should appear is the common name of the key as e.g. used
in teaching. Example: trill a' - bes' would involved the left-hand a
key pressed and with the right hand trilling the second key from above
on the side. So for this bes-stencile on the left hand it should show
"A" (or "a") but not in the middle but on the top side, for the right
hand it should show "Bes" (or "bes", but not "2"). In the stencil this
bes would be specified as:
#'((cc . (one))
(lh . ())
(rh . ()))
Isn't a chicken-and-egg combination? I spoke to my teacher today
and she got the
question of a composer "tell me what is possible?" as opposed to
someone writing
down something and the player having to find out how to do it. As
the key
corrects the lowest f (of a soprano-clarinet), it will probably not
used/prescribed. But if some effect, whatever can be done with it,
someone will
use it sometime.
But it is a little (much) too far, I agee.
Maybe, but it's probably best to get to the point of someone
requesting it before it gets implemented.
True.
That is not that easy, it is not ly-code, but Scheme code and
tougher (more and
more stacked upon another) as I expected. The basic files involved
are together
already 3200 lines (some are comments, but 90% is code :-).
!
!!!!!!!!!!!!!!!!!!!!!!!!
Regards,
Wim.
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