So the singers have different lyrics but the same note?  If I was trying to 
sing that, I would find it very confusing.  

--
Phil Holmes


  ----- Original Message ----- 
  From: Frederick Bartlett 
  To: Phil Holmes 
  Cc: lilypond-user@gnu.org 
  Sent: Tuesday, December 18, 2012 3:37 PM
  Subject: Re: Aligning multiple verses to alternative notes in the melody


  Phil,

  Thanks -- I guess I could, but that's a bit kludgey* as well. Since I don't 
want stems in both directions for those notes which don't change, I'd have to 
use

      \new Voice = "Lower"  {
        s4  s4  \voiceTwo  a'8 a'8 \voiceOne a'4
        a'4 \voiceTwo a'8 a'8 \voiceOne a'4 a'4
      }

  which works, but emits warnings for every note with identical stems in each 
voice: "warning: ignoring too many clashing note columns".

  It does look OK, though ... and I can ignore the warnings. I hope.

  Thanks again,
  Fred

  *kludgey, thy name is lilypond


  On 18 December 2012 10:18, Phil Holmes <m...@philholmes.net> wrote:

    Why not just use 2 voices and skips?

    {
      \new Staff
      <<
        \new Voice = "Upper" {
          a'4 a'4 \voiceOne  a'4 a'4
          a'4 a'4 a'4 a'4
        }
        \new Lyrics \lyricsto "Upper" {  a b c d e f g h  }
        \new Voice = "Lower"  {
          s4  s4  \voiceTwo  a'8 a'8 a'4
          a'4 a'8 a'8 a'4 a'4
        }
        \new Lyrics \lyricsto "Lower" { a b c d e f g h }
      >> % Staff end
    }


    --
    Phil Holmes


      ----- Original Message ----- 
      From: Frederick Bartlett 
      To: lilypond-user@gnu.org 
      Sent: Tuesday, December 18, 2012 2:44 PM
      Subject: Aligning multiple verses to alternative notes in the melody


      Hi!

      I have a song with irregular verses; I want to show the alternative notes 
in the melody and align some verses to one alternative and some to the other.

      I can come close by using '_' and the "divisi lyrics" instructions, but 
the alignment is not perfect.

      What I want is something like this:

      4 4 4/8 8 4 | 4 4/8 8 4 4
      a b c     d   e f     g h
          a   b c   d e   f g h

      where '4's are quarter notes, '8's are eighth notes, and '4/8's are both.

      Here's a snippet:

      firstVerse = \lyricmode {  a b c d e f g h }

      skippy = #(define-music-function (parser location syllables) (number?)
         #{ \repeat unfold $syllables { \skip 1 } #})

      LL = { \once \override LyricText #'self-alignment-X = #LEFT }

      secondVerse = \lyricmode { \skippy 2 \LL a_b c d \LL e_f g h }

      melodyMusic = \relative c'' {  c4 c4 << { \voiceOne c4 } \new Voice = 
"split" { \voiceTwo c8 [ c8 ] } >> c4 | c4 << { \voiceOne c4 } \new Voice = 
"split" { \voiceTwo c8 [ c8 ] } >> c4 c4 \bar "|." }

      \new Staff = "voice" <<
        \new Voice = "melody" << \voiceOne \global \melodyMusic>>
        \new Lyrics \lyricsto "melody" \firstVerse
        \new Lyrics \lyricsto "melody" \secondVerse
      >>

      Thanks!
      Fred



--------------------------------------------------------------------------


      _______________________________________________
      lilypond-user mailing list
      lilypond-user@gnu.org
      https://lists.gnu.org/mailman/listinfo/lilypond-user





  -- 
  We must learn to honor excellence in every socially accepted human activity, 
however humble the activity, and to scorn shoddiness, however exalted the 
activity. An excellent plumber is infinitely more admirable than an incompetent 
philosopher. The society that scorns excellence in plumbing because plumbing is 
a humble activity and tolerates shoddiness in philosophy because it is an 
exalted activity will have neither good plumbing nor good philosophy. Neither 
its pipes nor its theories will hold water.
  --John Gardner, "Excellence" (h/t, The Underground Grammarian) 
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user

Reply via email to