fenevad wrote > 2. In the first two instances where I call the ossia parts, there is one > on the last half beat of a measure and a *separate* one on the first half > beat of the next measure. Lilypond, quite logically, assumes that these > should be stuck together (since there is no time between them) and under > any other circumstance I would be happy for it to do so. But here it would > be ideal if I could somehow put a little white space between them because > I need to show that they are not a single continuous ossia but rather two > separate optional performance variants.
maybe stopping the first ossia and putting a small \grace s64 before re-starting the staff in the 2nd ossia part? Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/Removing-bar-lines-between-piano-staff-and-ossia-and-making-space-between-consecutive-ossias-tp137588p137596.html Sent from the User mailing list archive at Nabble.com. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
